TV Production Designers Talk Evolving Without Losing Their Original Vision at IndieWire’s Craft Roundtables — Watch
Seven production designers from both scripted and reality TV joined IndieWire to break down the nuances of their craft.
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Seven production designers from both scripted and reality TV joined IndieWire to break down the nuances of their craft.
"RuPaul's Drag Race" production designer Jen Chu joined IndieWire's Craft Roundtables to talk about making the environments for the queens as funny, modern, and entertaining as the...
In this episode of the No Film School Podcast, GG Hawkins speaks with production designer Vivian Gray about building the visual world of Obsession, from Southern Gothic references...
Task takes place in the unpretentious world of Delco, aka Delaware County, Pennsylvania, the suburbs outside Philadelphia with a mix The post Task Production Designer Keith P. Cunn...
Set design can be such an intricate process, with each production having its own specific goals. Historical pieces typically aim for period-accurate and authentic buildings, while...
I Love Boosters is already one of the year's most inventive and unique films, due in part to production designer Christopher Glass, who brought director Boots Riley's vision to lif...
Production designer Danny Vermette tells IndieWire about getting a crash course in the University of Backrooms from director Kane Parsons and building four stages' worth of mazelik...
Production designer Jamie Walker McCall talks about the challenges of doubling Atlanta for Savannah and collaborating with the actors to create the vivid settings for Apple's unset...
Production designer Denise Pizzini reveals how translucent panels, fake snow and practical craftsmanship transformed a soundstage into one of the series’ most striking sets.
When Paul D. Austerberry tackled production design on HBO’s It: Welcome to Derry, his goal was to bring the same The post It: Welcome to Derry Production Designer Paul D. Austerber...
Production designer Roger Fires shared during IndieWire's Craft Roundtables how he approached a new spin on the show's classic (and beloved) hospital set that felt real, believable...
Production designer Jade Healy tells IndieWire about becoming Angela (Olivia Wilde) to craft the apartment for "The Invite."
Director Olivia Wilde and cinematographer Adam Newport-Berra break down how they turned a San Francisco apartment into a dynamic stage for a rollercoaster dinner party.
The Netflix rom-com doesn't use a single soundstage. At IndieWire's Craft Roundtables, Bennett and her fellow production designers talked about the challenges and discoveries that...
VFX supervisor Tara DeMarco explains the key role that the props department played in bringing the show's craziest shots to life.
designed after an ancient greek theatre, ferruccio laviani shapes an atmosphere where mara’s collections and lively discussion converged. The post ferruccio laviani designs a gree...
At Salone del Mobile 2026, MARA presented its latest collection within a fair-stand concept designed by Italian architect and designer Ferruccio Laviani. Conceived as a micro-abstr...
Part of the crowd solution on the miniseries. The post The cardboard cut-outs used to help make ‘Death by Lightning’ appeared first on befores & afters.
The showrunners, production designer, and lead actors of 'Ponies' tell IndieWire about embedding clues and characterization into the show's '70s Moscow setting.
Production designer François Audouy and costume designer Natasha Newman-Thomas tell IndieWire how they reverse-engineered the series to provide backstories for two key characters.
STURDY.’s set design brings a typical puerto rican home and landscape into an arena-scale portrait of island memory. The post for bad bunny’s tour, a stadium became a lush puerto...
When production designer Emer O’Sullivan got the scripts for Half Man, Richard Gadd’s follow-up to the Emmy-winning Baby Reindeer, she The post Soft and Brutal: Emer O’Sullivan Des...
Production designer Chloe Badner tells IndieWire why working on the Dropout series is as much of a gift for an ADHD brain as watching it is.
Inside the production design process behind one of Nollywood’s most visually appealing romantic films, "Call of My Life", written by the film's Production Designer, Anita Ashiru. T...
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