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Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
A.J. Goldmann on the Salzburg Festival's revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.
26 June 2026 LES CAPRICES DE L’ENFANT ROI ***1/2 (vo French, subtitled in English) This amusing historical film is a delight! It’s 1651 in France, and rebellions are raging outside...
Opening this year’s Festival d’Aix-en-Provence in the courtyard of the Théâtre de l’Archevêché on July 2, Clément Cogitore’s new production of Die Zauberflöte confronts one of oper...
Three recent productions at the Vienna State Opera (VSO) repeatedly demonstrated that first-rate conducting and singing could transcend even the most contentious directorial concep...
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
Few works in the operatic repertory present greater challenges to contemporary stage directors than Der Ring des Nibelungen. Wagner’s tetralogy exists simultaneously as myth, philo...
Don't expect any sweeping statements from Franz Welser-Möst 's polished, if dramatically inert, Fidelio.
3 July 2026 You have an amazing choice this week – an important historical gem; a wild blockbuster; a gentle animated love story; and a cruel Robin Hood. Take your pick… I am inclu...
An early summer visit to Volksoper Wien reaffirmed why it remains one of Europe’s most imaginative lyric theatres. Few companies today show comparable confidence in programming, mo...
The idea of an abridged Les contes d’Hoffmann troubles many opera lovers, yet Theater Lübeck’s compact two-hour version without intermission proved remarkably effective (seen June...
Often regarded as the first great opera, this much-awaited production of Monteverdi’s L’Orfeo brings South African artist William Kentridge back to his own beginnings in the genre...
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.
Festival d’Aix-en-Provence could hardly have chosen two more fascinating companion pieces than Mozart’s Die Zauberflöte and Richard Strauss’s Die Frau ohne Schatten. Fairy tales, p...
Lily Hyde sees The Monocle: One Last Soirée set in a lesbian bar in 1930s Paris – energetic and sensual with exhilarating moments of togetherness.
The burden of choice runs through this year’s Festival d’Aix-en-Provence. From the moral trials of Die Zauberflöte to Die Frau ohne Schatten, where happiness can only be secured at...
You've got mailbox The post Deep Inside – The Magician of Paris [Review] appeared first on Room Escape Artist.
Equal parts ridiculous and moving, To Be Frank is wonderfully eccentric The post Review: To Be Frank, Pleasance Theatre appeared first on Everything Theatre.
A dazzling array of talent illuminates this popular musical by taking it back to square one. The post Review: Chess, Royal Academy of Music appeared first on Everything Theatre.
Few opera houses today can rival Bayerische Staatsoper for the consistency of its musical standards. Within the span of a single season, one can encounter radically different conce...
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Wolf Trap Opera triumphs in a fizzy, fun Cenerentola.
Let us begin with the numbers, because they are genuinely staggering and because, in music criticism as in life, context is everything. Frederick James — songwriter, Perth resident...
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