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From the moment that Fred’s three puppeteers (Nick Halliwell, Llŷr Williams, and Jennie Rawling) take him out of his box and breathe life into his little cloth body, he is immediat...
Matthew Paluch sees The Great Chevalier, in which the diva-ish Mr Chevalier shares the stage with his company's Executive Director Simone Mousset, in a work often uncomfortably clo...
With Opéra-Comique’s new production of Lucie de Lammermoor—the little-known French version of Donizetti’s most famous work—a rarity has returned to the Parisian stage not as a mere...
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
A new DVD recording of La Juive boasts considerable musical strengths in spite of a frustrating production.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
Don't expect any sweeping statements from Franz Welser-Möst 's polished, if dramatically inert, Fidelio.
Boston Lyric Opera’s Revolutionary War-set Daughter of the Regiment prioritizes accessibility without losing its charm.
An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
It’s been 34 years since the Canadian Opera Company last presented Massenet’s Werther. While perhaps not in the top 10 of most–produced operas, it isn’t so much on the fringes to m...
Lily Hyde sees The Monocle: One Last Soirée set in a lesbian bar in 1930s Paris – energetic and sensual with exhilarating moments of togetherness.
Matthew Paluch sees Jefta van Dinther's – there are ideas and atmosphere, but it lacks structure and pace.
Jonathan Gray sees a myriad of fine performances on Mayerling's opening night, but none finer than Matthew Ball in Laura Morera's detailed revival for The Royal Ballet.
A riotous blend of dance, slapstick and nudity set to classical music transforms everyday embarrassments into gloriously absurd comedy. The post Review: Derrière On A G String, Kin...
Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra's performances of Puccini's triple-bill.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, dar...
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Jonathan Gray sees Calvin Richardson's debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Let us begin with the numbers, because they are genuinely staggering and because, in music criticism as in life, context is everything. Frederick James — songwriter, Perth resident...
Uniquely enchanting, this playful paper puppetry brings pages of news joyfully and imaginatively to life! The post Review: The Daily Scream (Le Cri Quotidien), Well Walk Theatre ap...
Bluebeard's Castle and Erwartung at Canadian Opera Company deliver on fine performances even if Robert Lepage's production skimps on horror.
By Robert Niles: One of my favorite things to do on Theme Park Insider is to bring you new attraction reviews. You can find plenty of sources online that tell you whether or not a...
Gregory Spears’s Sleepers Awake mystifies and delights at Opera Philadelphia.
Led by a mesmerizing Anthony Roth Costanzo, Satyagraha at the Paris Opera dispenses with historical particularities for something for more elusive.
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