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From our distinguished critic in residence, Alastair Macaulay… ... The post Alastair Macaulay: This Peter Grimes is the stuff of our lives appeared first on Slippedisc.
Splendid new performance of Britten’s Grimes interludes. ... The post In Detroit, by the sea appeared first on Slippedisc.
Opera Baltimore concludes its season with a piercing semi-staged production of Pelléas et Mélisande.
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
Curtis Opera and a charming cast of young singers cast a spell with their beguiling production of Britten's A Midsummer Night's Dream.
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Gregory Spears’s Sleepers Awake mystifies and delights at Opera Philadelphia.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
I'm sorry, but when you say 'Peter', you're going to have to be clearer about who you mean because the name isn't ringing any bells.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: Covent Garden’s Figaro almost comes of age appeared first on Slippedisc.
A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear "Kuda, kuda" twice in two days.
A senior figure at the Royal Opera House... The post Covent Garden calls for release of jailed bass appeared first on Slippedisc.
Klaus Mäkelä unexpectedly joins the foray for The Cleveland Orchestra's performances of Benjamin Britten’s War Requiem.
Michael Spyres talks to Kevin Ng about his winding path as a baritenor, which composer he wants to conquer next, and how he makes Wagner work in his voice — and in his native Ozark...
Peter Gelb, the general manager of the Metropolitan Opera, said he is not going anywhere as he struggles with financial crises and opera’s place in a changing arts landscape.
Matthew Travisano has such doubts about Douglas Cuomo's opera recently seen at Opera Parallèle.
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