Search fresh public links, source activity, and post angles for Perspectives On An Aria.
Fresh curated links around Perspectives on an Aria are collected here so marketers can spot useful updates and turn timely ideas into posts faster.
Recent items include:
Recent curated links from global sources. Generate one free draft from any story, then use SocialBu to schedule and refine your content calendar.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of "Signore, ascolta!" for Perspectives o...
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
Respighi's liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola's recording of the first song from Qu...
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra's performances of Puccini's triple-bill.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
"You're your own boss."
With youthful abandon, Ms. Feola interprets an old chestnut.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
Thanks to Elly Ameling, I made it through college.
Maltese composer Euchar Gravina discusses ‘ARIA’, a pandemic-born collaboration with violinist Stefan Calleja and the London Symphony Orchestra, reflecting on listening, identity,...
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Chicago Symphony Orchestra explores love and death in an intense, intelligent program featuring soprano Corinne Winters.
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
"Du bist die ruh" was one of the first art songs I ever knew.
What I love most about Sergei Rachmaninoff's "Lilacs" is how beautifully it captures the quiet intimacy at the heart of art song.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
New works, “The Post Office” and “Constance: A Confession,” and a revival of Barber’s “Vanessa” show companies attempting to capture these nebulous times.
The air held a real charge that night in SF's War Memorial Opera House.
Rosa Ponselle is the singer who had it all.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
Use SocialBu to discover ideas, generate post drafts, and schedule them across your social channels.