Never Look Back in Daegu
Premiered in 1762, Orfeo ed Euridice is a... The post Never Look Back in Daegu appeared first on Slippedisc.
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Premiered in 1762, Orfeo ed Euridice is a... The post Never Look Back in Daegu appeared first on Slippedisc.
Francesco Corteccia - Io vorrei pur fuggir, crudel amoreKostas Manolkidis (Tenor)
Francesco Corteccia - Fammi pur guerr' amorEnsemble Nobiles (Ensemble)
San Francisco goes baroque with performances of Handel's Alcina, Tolomeo, and Rinaldo.
Zémire et Azor, André-Ernest-Modest Grétry's riff on "Beauty and the Beast", gets a rare outing in the Berkshires.
Giuseppe Verdi - Ella mi fu rapita and Parmi veder le lagrime, from RigolettoGiuseppe Di Stefano (Tenor)Orchestra del Teatro alla Scala (Orchestra)Tullio Serafin (Conductor)
Giuseppe Verdi - Parmi veder le lagrime, from RigolettoMario Del Monaco (Tenor)Orchestra of Accademia di Santa Cecilia (Orchestra)Alberto Erede (Conductor)
“Libiamo ne'lieti calici” (literally, “Let's drink from the merry chalices”) is the most famous duet from Verdi's La traviata, one of the most well known fragments of opera around...
Sarah Ruhl’s reimagining of the ancient myth becomes a touching exploration of love, memory, language, and loss. By CHARLES GREEN
Giuseppe Verdi - Celeste Aida, from AidaCarlo Bergonzi (Tenor)New Philharmonia Orchestra (Orchestra)Nello Santi (Conductor)
Wolf Trap Opera presented a lovely Eugene Onegin with particularly noteworthy performances by Magdalena Kuźma and Daniel O’Hearn.
Les Arts Florissants (lightly) stages two Charpentier rarities as a summer wedding gone wrong.
Buxton festivalFrancesca Caccini’s 1625 work – the earliest surviving opera by a woman – is wildly imaginative, even without the original horse balletThere is magic in the air at t...
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