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Graham Watts sees Tungrodd, a "softly expressive and powerfully expansive" semi-autobiographical work by Sámi choreographer Simone Grøtte from Northern Norway.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
Liv Lorent, CEO and artistic director of balletLORENT, said it is an honour to be recognised
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Despite having written over 40 operas, the ballets Giselle and The... The post Dancing Pirates from Talinn appeared first on Slippedisc.
Die Hamburgische Staatsoper will auch in ihrer zweiten Spielzeit unter neuem Führungsteam aufhorchen lassen. Was Intendant Tobias Kratzer und Generalmusikdirektor Omer Meir Wellber...
Minimalistisch versus pompös: Ballettabend „Get Zwei Choreografen, zwei Stimmungen: Unter dem Titel des Madonna-Klassikers „Get Into The Groove“ glänzte das Ballett Kiel mit zwei U...
The despertely lurching English National Opera has finally... The post ENO lures new chief from ballet appeared first on Slippedisc.
The brainchild of choreographer and dancer Joshua Beamish, Ballet Vancouver wants to revitalize Vancouver’s access to professional classical, neoclassical, and narrative ballet
Lily Hyde sees My First Ballet: Cinderella, a production of an incredibly high standard for audience members of any age, with a strong calibre of dancing.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Driven ballet graduate enters the professional dance world The Daily Utah Chronicle
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
Oslo’s Nationaltheatret (simply translated to English as National Theatre) first opened its doors more than a century ago in 1899, and has since come to not only reflect, but activ...
Riksteatrets nye teatersjef satser på mangfold fremfor klassikere. Dessverre viser oppsetninger som «Kniven i ilden» at…
Graham Watts sees Tulsa Ballet’s ‘Made in America’ triple bill at Royal Ballet and Opera – a young, dynamic ensemble, with an overarching sense of theatre.
Man må lete litt nøyere enn vanlig for å finne godbitene i neste års operasesong.
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