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Kathrina Farrugia-Kriel sees Gentleman Jack – effective in its storytelling capacity and sits well with the company.
Lily Hyde sees My First Ballet: Cinderella, a production of an incredibly high standard for audience members of any age, with a strong calibre of dancing.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Liv Lorent, CEO and artistic director of balletLORENT, said it is an honour to be recognised
A raw contemporary dance piece which effectively highlights male mental health struggles, but could be even more effective with slight tweaks The post Review: Tomorrow, Stanley and...
A fabulous and fun opportunity for the very young to enjoy dance and design of the highest standard. The post Review: My First Ballet: Cinderella, Sadler’s Wells appeared first on...
Lily Hyde sees BRB's Don Quixote and is impressed by the lead dancers, the orchestrations, and the design, though disappointed by the corps de ballet.
A joyful and vibrant ballet romcom, set in the Spanish summer sun. The post Review: Don Quixote, Sadler’s Wells appeared first on Everything Theatre.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
Next week, choreographer and dancer Dak Mashava, West End cast member of ‘Cabaret’, will make his choreographic debut at Serendipity UK’s Let’s Dance International Frontiers (LDIF2...
Artistic Director Timour Bourtasenkov blends classical ballet with theatrical storytelling in his first original full-length work for the company. The production features dozens of...
Sir Peter Wright Centenary on 18 June will feature highlights from the director and choreographer’s most beloved works, and a return by Carlos Acosta.
A small community dance academy from the heart of Holbeck and Beeston has made a huge impact on the Manchester competition scene — bringing home an impressive collection of trophie...
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
Ballet’s past, present, and future are explored in the 2026-2027 season, San Francisco Ballet announced this week.
Jonathan Gray sees Calvin Richardson's debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Matthew Paluch sees Thick & Tight, the Manchester Collective, and CHAINES in Papillons – work that speaks but doesn't shout.
Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov'è la luna and Ohad Naharin's Minus 16.
Graham Watts sees International Draft Works – three distinctly memorable works among a satisfying, broad spectrum of ideas and styles.
Graham Watts sees Tulsa Ballet’s ‘Made in America’ triple bill at Royal Ballet and Opera – a young, dynamic ensemble, with an overarching sense of theatre.
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