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"Dancing with the EYB is an experience that will stay with young dancers forever."
Tonight is the opening of the Verdensballetten (World Ballet) in the garden of the Royal Garden Society in Copenhagen, and it is on tour until 30 August.
Graham Watts sees two top ballet schools at the Royal Ballet & Opera's Next Generation Festival, dancing as if they were already fully fledged professionals.
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
Kathrina Farrugia-Kriel sees Gentleman Jack – effective in its storytelling capacity and sits well with the company.
Graham Watts sees Gentleman Jack with Nida Aydinoğlu – a future star – and enjoys the unique choreographic style, memorable score, and emphatic set design.
Birmingham Royal Ballet hosted a very special Gala night last night to celebrate the 100th birthday of the legendary Sir Peter Wright. The man who bought the Sadler’s Wells ballet...
The programme So Are We marks the first time a British company has performed the work of choreographers Sol León and Paul Lightfoot. Tristram Kenton took a first look at Covent Gar...
Matthew Paluch sees The Sleeping Beauty at The Royal Albert Hall – good dancing with a digital backdrop that brings the story and score to life even more.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
The celebration for Sir Peter Wright’s 100th birthday continued at the Birmingham Hippodrome last night with 20th-Century Masterpieces, a trio of wonderful short ballets, Frederick...
Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
Georgina Butler sees London Children’s Ballet’s 'riveting revival' of Anne of Green Gables, and notes that Anne dreams boldly... as does LCB.
A small community dance academy from the heart of Holbeck and Beeston has made a huge impact on the Manchester competition scene — bringing home an impressive collection of trophie...
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Thirty-one dancers move with the cohesion of a hive mind, transforming dense, detail-packed tableaux into the work's choreographic signature. The post Review: Memory Keepers, Sadle...
Lily Hyde spoke with Nina Ananiashvili, director of the State Ballet of Georgia, about the company’s 12-performance run of Swan Lake in London.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
In The Royal Ballet School's 100th graduating class, this year consisting of 30 students, all have secured contracts with companies as they start their professional journeys.
Royal Ballet Principal dancer Natalia Osipova to make her West End debut in The Standard of Living, a new play by James Graham based on the life of John Maynard Keynes.
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