How Microbudget ‘Sour Party’ Became a Steven Soderbergh Presents
In this episode of the No Film School Podcast, host GG Hawkins chats with filmmakers Amanda Drexton, Michael A. Drexton, and Samantha Westervelt, who, after an earlier feature proj...
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In this episode of the No Film School Podcast, host GG Hawkins chats with filmmakers Amanda Drexton, Michael A. Drexton, and Samantha Westervelt, who, after an earlier feature proj...
In this episode of the No Film School Podcast, NFS' Jo Light records live from Aspen Shorts Fest with Julia Aks and Steve Pinder, the co-writers and co-directors of Jane Austen’s P...
In this episode of the No Film School Podcast, host GG Hawkins speaks with writer-director Hasan Hadi and producer Leah Chen Baker about the development, financing, production, and...
Every independent filmmaker begins with a dangerous idea: Maybe I can actually do this. Not someday. Not after permission arrives. Not after funding magically appears. But now. Wit...
In this episode of the No Film School Podcast, GG Hawkins is joined by filmmaker Joe Burke and actor-writer-producer Oliver Cooper to discuss the making and release of Burt, a blac...
In this episode of the No Film School Podcast, GG Hawkins speaks with Kanopy’s Erin Spears and Matt Lewis about curation, film discovery, and how independent films find audiences i...
In this episode of the No Film School Podcast, GG Hawkins talks with writer, director, producer, assistant, and Not Your Daddy’s Films co-founder Vika Stubblebine about building a...
In this episode of the No Film School Podcast, GG Hawkins continues NFS’ 2026 distribution experiment with filmmaker Pete Ohs, focusing on the release of Erupcja, his Warsaw-shot m...
In this episode of the No Film School Podcast, GG Hawkins speaks with BAFTA-winning director Marc Munden about directing the new Netflix adaptation of Lord of the Flies, written by...
In this episode of the No Film School Podcast, host GG Hawkins talks with filmmaker Shane Brady and producer Emily Zercher-Brady about turning a devastating real-life hack into the...
In this episode of Focus Check, Nino speaks with Biro Florin — entrepreneur, misfit, and founder of Masterwork Films — about his unconventional path from cosmetics and software to...
Every filmmaker has that one movie that changes everything. Not just a film they enjoy, but a film that quietly gives them permission to believe they can do it too. For Christopher...
Some documentaries begin with years of research, development meetings, financing plans, and carefully structured production schedules. Others begin because someone gets locked out...
In this episode of the No Film School Podcast, GG Hawkins speaks with production designer Vivian Gray about building the visual world of Obsession, from Southern Gothic references...
John welcomes back Phil Hay (Destroyer, The Invitation) to ask, how do you get a movie made with independent financing? They look at how indie movies get made, where you get the mo...
Screenwriter, novelist, editor, professor, and New York Film Academy instructor Matt Harry has taken one of the longer roads to a working career in Hollywood. Everyone comes to the...
Every filmmaker, no matter how established, hits the same walls around budgets. Indie films in particular face the harshest constraints, with no... The post How Two iPhones (And No...
If you love movies, you’re in the right place — welcome to The Chronicle, the... The post The Chronicle Film Podcast Ep58 Reviewing Obsession & Hokum appeared first on .
The team also discusses what the Netflix and TF1 deal could mean for the future of streaming.
This week’s podcast’s headline act is Leica’s new SL3-P, which Johnnie took for a full spin in his review. At the same time, the CineD lab crew ran it across the bench, and the pic...
Every filmmaker dreams about directing a feature film. Few spend more than twenty years preparing for it. In this fascinating conversation, Hiroshi Katagiri shares a career that fo...
In a conservative religious compound in the Southeast, a young Daril Fannin was told that television was the Devil’s tool—that Satan would... The post Indie Film Economics 101: Why...
This week’s episode covers a packed week in filmmaking news: Nino shares what it was like to be embedded in the ARRI ALEXA 35 broadcast deployment at Eurovision 2026, followed by d...
For indie filmmakers, the path to directing big-budget studio IP usually requires years of development hell, millions of dollars, and a massive stroke of luck. But what if you coul...
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