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In this episode of the No Film School Podcast, host GG Hawkins chats with filmmakers Amanda Drexton, Michael A. Drexton, and Samantha Westervelt, who, after an earlier feature proj...
There is a dangerous idea floating around filmmaking that says we need permission before we can begin. Permission from a film school. Permission from a producer. Permission from an...
In this episode of the No Film School Podcast, Madhouse Films co-founders Katherine Romans and Charlie Traisman join GG Hawkins to explain how they built an independent production...
In this episode of the No Film School Podcast, Tribeca Festival Director and SVP of Programming Cara Cusumano joins host GG Hawkins to reflect on 25 years of Tribeca and explain wh...
In this sponsored episode of the No Film School Podcast, editor Jon Fine joins GG Hawkins to discuss shaping The Revisionist, a dialogue-driven drama directed by Alex Vlack and sta...
A good film school doesn’t just try to predict the future — it tries to prepare its students for any The post Film Schools and the Future: How to Plan for the Unpredictable appeare...
This is a sponsored podcast in partnership with Eddie AI.Most filmmakers wait until after production to identify their audience and develop a distribution strategy. In this sponsor...
In this episode of the No Film School Podcast, Writer-director Sam Hayes and actor-filmmaker Michael Vlamis break down the making and unconventional release of Pools, a coming-of-a...
by Debbie Burke Holly Soriano is an independent film producer in Billings, Montana who’s creating a course about what they don’t teach you at film school but should. For several we...
In this episode of the No Film School Podcast, Wonder Dynamics co-founders Tye Sheridan and Nikola Todorovic join GG Hawkins to explain how their filmmaking backgrounds shaped the...
Writer-director Beth de Araújo, who is on the cover of our latest issue, might not have made her magnificent film The post The 30 Best Film Schools in the U.S. and Canada, 2026 app...
Every aspiring filmmaker eventually reaches the same crossroads. One path is filled with endless books, YouTube tutorials, podcasts, and discussions about filmmaking. The other req...
Most independent filmmakers spend years trying to get one movie made. David M. Latt helped build a company designed to make movies continuously. As co-founder of The Asylum, the in...
There is a beautiful illusion that many filmmakers carry when they first pick up a camera—the belief that talent alone opens doors. Yet filmmaking has always been less like sprinti...
As studios embrace AI and analog film makes a comeback, the nation's top programs are racing to future-proof their students with courses that run the gamut from emerging tech to th...
Success in today’s film industry demands more than creativity – it requires graduates who are ready to step onto a The post Toronto Film School’s New Campus Is Built for Tomorrow’s...
Fiscal sponsorship can give independent filmmakers access to tax-deductible donations, in-kind contributions, grants, and other resources without changing how they ultimately monet...
Fiscal sponsorship can give independent filmmakers access to tax-deductible donations, in-kind contributions, corporate partnerships, and other fundraising opportunities without ch...
In this episode of the No Film School Podcast, editor, director, and producer Whit Conway explains how the Hulu comedy Never Change! was assembled on an unusually compressed post-p...
There is an enormous difference between loving movies and understanding how filmmakers actually make them. Andrew Bloomenthal has spent years exploring that difference from both si...
In this episode of the No Film School Podcast, Emmy-nominated stunt coordinator and performer Victor Paguia joins GG Hawkins to explain how action sequences are designed around cha...
Hollywood has always sold aspiring filmmakers and performers the fantasy of being discovered. You write the perfect screenplay, perform at the right club, meet the right producer,...
Filmmaker and producer George Jaques and producer Ken Petrie tell all.
September feels more like a new year than January. January brings resolutions. September brings sharpened pencils. There’s something about the end of summer that makes us want to l...
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