A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
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Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
West End Wilma Award Winner Marisha Wallace joins the UK premiere of award-winning comedy musical Something Rotten! The side-splitting mash-up of song, dance and Elizabethan absurd...
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
THREE WOMEN AND A DISTANT QUEEN Ava Pickett’s breathlessly exciting début play won, at the Almeida, both a prestigious prize and mixed reviews. As a first-timer, seeing its...
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I was a huge fan of Anna Netrebko.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Full cast announced for the world premiere of Mischief’s first musical comedy, THESPIANS. MISCHIEF, the team behind the multi-award-winning The Play That Goes Wrong, rewrite ancien...
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Bring on the drama, mama!
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Curtis Opera and a charming cast of young singers cast a spell with their beguiling production of Britten's A Midsummer Night's Dream.
A brand-new production of My Fair Lady is set to open at Chichester Festival Theatre Lerner & Loewe’s glorious, evergreen musical My Fair Lady – which has never before been pro...
An enthusiastic, if flawed, re-imagining The post Review: Mother Courage and Her Children, Shakespeare’s Globe appeared first on Everything Theatre.
Shakespeare’s Globe, LondonForgoing Brecht’s usual distanciation, Anna Jordan’s new translation and Michelle Terry’s lovable performance bring out the humanity of a woman doing wha...
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The actor commands the stage in Tom Morris’s striking production of Shakespeare’s tragedy, while Rachel Zegler and Ben Platt unite for The Last Five YearsWhen David Harewood was of...
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