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"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Parterre Box acknowledges Riccardo Muti's 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Rosa Ponselle is the singer who had it all.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of "Signore, ascolta!" for Perspectives o...
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Michael Spyres, the American operatic tenor who also sings baritone roles, will perform in Timișoara on April 11 for the closing concert of the project Musica Ricercata – DiVerdi,...
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
American tenor Charles Castronovo performs a bit of Weber's Der Freischütz ahead of the opportunity to hear Berlioz's take on the score at Carnegie Hall next week.
Bring on the drama, mama!
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Russell Thomas is many singers at once—and he aims to excel at them all. The Miami-born tenor, celebrated for his interpretations of Italian repertoire and, more recently, German w...
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I have always loved this recording of Canteloube's Chants d'Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Having cancelled two nights of Riccardo Zandonai’s Romeo... The post Singer falls sick? The director jumps in appeared first on Slippedisc.
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