Awe meets ancient myth in ‘Argonautika’ at City of Fairfax Theatre Company
A 30-seat black box, 14 brave actors, and a whole mythic sea conjured out of rope, benches, and human breath. By NATASHA PARNIAN
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A 30-seat black box, 14 brave actors, and a whole mythic sea conjured out of rope, benches, and human breath. By NATASHA PARNIAN
‘Steady She Goes’ is a stirring maritime adventure, but its deeper power lies in its insistence that audiences look again at the women standing beside them.
Sarah Ruhl’s reimagining of the ancient myth becomes a touching exploration of love, memory, language, and loss. By CHARLES GREEN
Mosaic Theater’s warm, inventive musical reframes ‘The Wizard of Oz’ through one Salvadoran woman’s perilous journey north. By MELISSA LIN STURGES
‘The Compass’ involves the audience in an ethical dilemma very much of our time.
The most striking element is the of Caliban, played with wary resentment by Ronald Román-Meléndez. By ANDREW WALKER WHITE
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