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Graham Spicer sees Martha Graham Dance Company’s centennial celebration tour – a company in good hands as it enters its second century.
The feet. Martha Graham did not stick her dancers into dainty ballet slippers. No, her dancers and Graham herself in performance, went barefoot. And the foot was flexed – taut and...
I once was a dancer. Knees loose, arms sharp, tendons stretched angles and circles carving into each other. A geometry of limbs melting into cold marley to emerge again— T...
Words by Lizzy Tan. Tiegan Doyle’s Is This Bliss In Is This Bliss, suited figures stand in for an ambiguous, systemic force pressing in from offstage. Rapid hand gestures – alterna...
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
Graham Watts sees COLOSSUS – Stephanie Lake creates fascinating, kaleidoscopic movement from a mass of bodies made the more powerful by the rarity of the quantum.
Marta Mele sees Dancing with Bob – Trisha Brown and Merce Cunningham and the encounter between dance, visual art, and the legacy of Robert Rauschenberg.
The first impression is instability as a driving force; bodies that slip, fall, rise, try again. This year’s performances at the 32nd Kalamata International Dance Festival do not t...
From our distinguished critic in residence, Alastair Macaulay... The post Alastair Macaulay: Dancing with Hilary in New York appeared first on Slippedisc.
Words by Stella Rousham. I first met George Adams in January 2023. After a 5am train from London to the Northern School of Contemporary Dance, George’s enthralling introduction pul...
A deeply moving physical and theatrical journey reclaiming the unity of the dance floor. The post Joy, Grief, and the Dance Floor appeared first on Everything Theatre.
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