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The Graham company, which turned 100 this year, moves into a dazzling new space, taking over 21,000 square feet of a Times Square landmark.
A WILD DECEPTION Solemnly, a great dark chime summons a ring of black-cloaked figures, pleading forgiveness, singing of disgrace, circling round a stack of peasant props – table...
Haley Whitney shines as the mother of us all in The Marigny Opera Ballet's stirring staging of Scarlatti's Cain.
For a production at UMD, the Spooky Action artistic director is recharging Anne Washburn’s ‘Post-Electric Play,’ which plugs into ‘The Simpsons.’ By REBECCA CALKIN
Ulster Dance Company announced their 2026 Production of “A Christmas Carol.” For nearly three decades, Ulster Dance Company’s A Christmas Carol has brought Dickens’ timeless story...
The dance company scheduled a night of premieres and revived pieces, as it honors Allen Walls, Executive Director of the World of Choreography Awards. The post Luminario Ballet’...
Visually enchanting play tells the love story of Bella and Marc Chagall, accompanied by aerialists and live music.
Playwright Stephen Spotswood pens a spellbinding ode to the ones we lost along the way. By MARY V. HOLIMAN
The romance of Bella and Marc Chagall is brought to life with live music, aerialists, and the whimsical, dreamlike imagery of his iconic paintings. By HANNAH ESTIFANOS
Dancer in the Sadler’s Wells Ballet who was a snake in Tiresias, a goat in Sylvia and an autumn fairy in Frederick Ashton’s CinderellaPauline Clayden was one of the dancers who for...
By Kristin Marting. On 19 October 2026, TORCHES continues with a conversation with the award-winning director, writer and creative producer Kristin Marting, interviewed by Taylor M...
Sadler’s Wells, LondonAlina Cojocaru astonishes in John Neumeier’s Ghost Light, an ethereal meditation on time, while Glen Tetley’s Firebird has much to cherishA ghost light is the...
Martin Mirabel’s new documentary Martha offers an intimate portrait of legendary pianist Martha Argerich, following her across a decade of touring and drawing on personal archives,...
Director Susy Moorstein frames the production with a powerful vision: that the injustices depicted in the show are not confined to history.
Thea Musgrave’s Mary, Queen of Scots could learn to lighten up.
The Royal Shakespeare Company announces ambitious adaptations of novels in season that includes Elizabeth Debicki as Richard II and Damien Molony as CoriolanusThe Royal Shakespeare...
World premiere by DC-based playwright Stephen Spotswood runs September 25-October 17 at Montgomery College Cultural Arts Center.
And the spirit of the ballerina Allegra Kent doesn’t hurt. The choreographer Benjamin Akio Kimitch dives into the art of Bugaku to create his fantasy of a Japanese American court d...
Combines hints of the sounds, movement and images of the natural world to create evocative scenes. The post Review: Pastoral, Barbican Theatre appeared first on Everything Theatre.
Even before the house lights fade, the intimate space suggests a storybook wilderness. By DANA ROBERTS
Angela Trimbur’s Upper West Side home is part dance studio, part video set.
British theater-maker Elf Lyons brings her buzzy one-woman show to New York, complete with spaceships, operatic flourishes, and a Pagliacci.
“Specky Clark,” the Belfast choreographer’s fantastical account of her great-great-grandfather’s arrival in Ireland, makes its North American premiere at Irish Arts Center from Oct...
The wordless dance-and-physical-theater production is a perfect combination of eerie beauty and spectral chills. By JENNIFER GEORGIA
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