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Several years ago, rummaging through the archives of the Academy of American Poets, I came upon a box labeled “Ballots 1950” — the record of the secret vote by the chancellors the...
I was a latecomer to poetry, curling my nose at it in that confounding and rather embarrassing way we have of discounting what we don’t understand, dismissing as useless what we do...
"Look for verbs of muscle, adjectives of exactitude."
after Georgia O’Keeffe, 1958 Soaked in the information of stillness, I found the moon too chaste—cut at the sourceof its language. ...
The sister of the moon, we discovered, was the loch: And it uncovered as I tumbled in The white oil, found in my ears, which drips Onto the flayed tongue. The anger Which lives i...
"...a stillness in which the germ of what is not yet palpable pauses and gathers to begin one more time."
In the upcoming PBS documentary, "Mary Oliver: Saved by the Beauty of the World," director Sasha Waters pays homage to one of America's most beloved modern poets.
The woman is perfected / Her dead / Body wears the smile of accomplishment” (Plath, “Edg...
“There are people who don’t hear an internal monologue or private dialogue in their heads.”
"You may have to break your heart, but it isn’t nothing to know even one moment alive."
"One who has dared to be gloriously good and gloriously bad in one life. No Limbo for her. Rather let life itself grow living monuments out of trees and living words so that death...
Lines on animals in a full Moon The post Sund...
The poet joins Kevin Young to read and discuss “Carrowmore,” by Lucie Brock-Broido, and her own poem “The Fifties.”
"Whatever returns from oblivion returns to find a voice."
“Your spirit of grace in the taffy machine’s chrome arms / At Morris’s Candy performing a sarabande / Unknitting and knitting again immaculate sweets.”
Like the pig’s back she is named for, she squats,...
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