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Also: Zendaya and Robert Pattinson in “The Drama,” Michael Schulman on spring fabulosity, Rachel Syme on the latest in trenchcoats, and more.
In its first week, the seventy-ninth edition of the festival unveiled standout new works by James Gray, Paweł Pawlikowski, and Ryûsuke Hamaguchi.
Also: Jennifer Tilly in the surreal world of “The Adding Machine,” New York City Ballet’s spring season, Anne Hathaway and Michaela Coel in “Mother Mary,” and more.
Matters of adolescent identity and child welfare loom compellingly large in new festival-premièred films from Marine Atlan, Jordan Firstman, and Cristian Mungiu.
In the Argentinean filmmaker’s new documentary, “Our Land,” and a recently restored masterpiece, “The Headless Woman,” an elusiveness of form becomes the most direct way to the tru...
A young woman is all smiles as she accepts an industry award in front of an adoring audience. She sneaks away following... The post The Currents first appeared on Film Threat.
In Steven Soderbergh’s film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground.
Arnaud Desplechin’s vigorous tale of a pianist’s return home to a mentor and an ex-lover lines up its characters’ traits like dominoes, and ignores the world they live in.
On two from Cannes Competition, featuring world-famous actresses.
On two films, including the opener of this year's competition for the Palme d'Or.
The latest on Blu-ray and streaming includes controversial dramas from Maggie Gyllenhaal and Emerald Fennel, along with Criterion releases of Body Heat, Lenny, and Peter Hujar's Da...
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In Ildikó Enyedi’s meditative nature epic, three lonely experimenters from three different eras seek to unlock the secrets of plants—and learn something vital about themselves.
On the final film to premiere in Competition at Cannes this year, plus brief thoughts on three others.
On the latest from Ron Howard & Volker Schlondorff.
Two more from Cannes, including the latest from the director of "Drive My Car."
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
On two very different Cannes offerings, including one by Steven Soderbergh.
Kirk Jones’s bio-pic of the activist John Davidson, who has worked to destigmatize Tourette’s syndrome, is effective as an educational tool but mechanical as a drama.
On two very different Competition titles from this year's Cannes: New works from James Gray and Hirokazu Kore-eda.
by Cláudio Alves Adèle Exarchopoulos won a César for Jeanne Herry's ALL YOUR FACES. Will her new collaboration with the director, presently at Cannes, produce similar results? Th...
In John Carney’s dramedy, a thwarted songwriter, played by Paul Rudd, crosses paths with a former boy-band star in search of new material.
Sidney Lumet’s kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots.
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Michael Lee Nirenberg’s oral history of classic New York filmmaking centers on crew members whose labor the movies are made of, and reveals behind-the-scenes passions and tensions...
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