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I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Christopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
Rosa Ponselle is the singer who had it all.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Parterre Box features the Met's current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
The soprano Asmik Grigorian is starring as Tatiana, one of her signature roles, in Tchaikovsky’s classic at the Metropolitan Opera.
I was a huge fan of Anna Netrebko.
Mezzo-soprano Isabel Leonard as Frida Kahlo performs on stage during a dress rehearsal of "El Ultimo Sueno de Frida y Diego" at the Metropolitan Opera House in New York. — AFP
The mezzo-sopranos Joyce DiDonato and Denyce Graves and the countertenor Anthony Roth Costanzo share their picks of essential productions.
With youthful abandon, Ms. Feola interprets an old chestnut.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Thanks to Elly Ameling, I made it through college.
Opéra de Québec’s upcoming production of Puccini’s La bohème comes at just the right time in Elisabeth Boudreault’s career. A native of the Saguenay–Lac-Saint-Jean region, now base...
From our occasional reviewer, Susan Hall: The Metropolitan... The post Asmik Grigorian lights up the Met’s Onegin appeared first on Slippedisc.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
The soprano Danielle De Niese, who is married... The post Glyndebourne hostess to direct first opera appeared first on Slippedisc.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
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