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The Oscar winner, who has 'Dune: Part 3' in theaters this December, says of choosing which format to shoot a film on: "It's a tool to serve the story."
ComingSoon Senior Editor Brandon Schreur spoke to Wuthering Heights cinematographer Linus Sandgren about Emerald Fennell’s romantic period drama movie. Sandgren discussed how they...
The teams of Cadence Effects contributed more than 120 invisible visual effects shots to In The Blink Of An Eye, delivering seamless enhancements that support the film’s realism wi...
For Marty Supreme, FOLKS created more than 110 invisible visual effects shots, helping bring larger-scale environments and historically accurate digital locations to the screen whi...
Cinematographer James Laxton tells IndieWire about expanding the visual scope of 'Beef' and the shot that brings all the characters together.
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