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Words by Josephine Leask. Liam Francis, looking scholarly in glasses behind a lectern, delivers an informative account of the Australian ground-dwelling Lyrebird’s extraordinary vo...
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
"Dancing with the EYB is an experience that will stay with young dancers forever."
The winners of the 2025 National Dance Awards were announced today, marking the 26th anniversary of the awards (#NDA26).
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Davis Aloschi, a 15-year-old student at La Scala’s ballet school, died in a crash between two scooters.
Graham Watts sees Gentleman Jack with Nida Aydinoğlu – a future star – and enjoys the unique choreographic style, memorable score, and emphatic set design.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
Graham Spicer talked with choreographers Sol León and Paul Lightfoot – León and Lightfoot – after the opening night of their new double bill for The Royal Ballet.
Matthew Paluch sees two debuts in The Royal Ballet’s La Fille mal gardée – Mayara Magri and Leo Dixon. The joy and embodiment were real, and consequently, Ashton’s genius lives on.
Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Birmingham Royal Ballet hosted a very special Gala night last night to celebrate the 100th birthday of the legendary Sir Peter Wright. The man who bought the Sadler’s Wells ballet...
The programme So Are We marks the first time a British company has performed the work of choreographers Sol León and Paul Lightfoot. Tristram Kenton took a first look at Covent Gar...
Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
The 14 Lausanne 2026 Prize Winners have decided on their placements next season – 1st prize winner William Gyves from the United States joins The Royal Ballet.lausanne
English National Ballet has presented four Emerging Dancer 2026 awards - the competition will be available free online from 4 June.
Lydia Wharf sees Dada Masilo’s Hamlet, a queer, black, female dance interpretation of Shakespeare that didn’t live up to its promise.
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Graham Watts sees The Royal Ballet’s La Fille mal gardée with Sae Maeda making her debut as Lise with sunshine, smiles, soaring legs and coy naughtiness.
Graham Watts sees two top ballet schools at the Royal Ballet & Opera's Next Generation Festival, dancing as if they were already fully fledged professionals.
Words by Qiao Lin Tan. A tie is already happening when you enter the space at Battersea Arts Centre. Performer Luke George is working on a rope around fellow performer Daniel Kok’s...
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