Erin Morley: Golden Age Coloratura
“Of course I said yes! It was a no-brainer!” recalls a smiling Erin Morley when the luminous American soprano is asked to outline the genesis of her Golden Age collaboration with t...
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“Of course I said yes! It was a no-brainer!” recalls a smiling Erin Morley when the luminous American soprano is asked to outline the genesis of her Golden Age collaboration with t...
Tenor Russell Thomas replaces his late friend Limmie Pulliam in Cleveland Orchestra’s “America at 250,” led by conductor Edwin Outwater.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
Bring on the drama, mama!
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
I was a huge fan of Anna Netrebko.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: Covent Garden’s Figaro almost comes of age appeared first on Slippedisc.
Ryan Speedo Green has been previewing his take on Wotan, ruler of the gods, with Gustavo Dudamel and the Los Angeles Philharmonic.
The American tenor, who made a triumphant mid-career comeback in 2022, has died.
Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
Twenty years ago, Limmie Pulliam quit singing after... The post Famed US tenor dies at 5o appeared first on Slippedisc.
Anthony Roth Costanzo took over Opera Philadelphia when it was “three weeks away from stopping payroll.” Now, it is rebounding with a surplus.
Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.
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