Review: Solera, Sadler’s Wells
A superb contemporary take on a dance form that has ancient roots The post Review: Solera, Sadler’s Wells appeared first on Everything Theatre.
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A superb contemporary take on a dance form that has ancient roots The post Review: Solera, Sadler’s Wells appeared first on Everything Theatre.
Jonathan Gray sees a myriad of fine performances on Mayerling's opening night, but none finer than Matthew Ball in Laura Morera's detailed revival for The Royal Ballet.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
Lily Hyde sees BRB's Don Quixote and is impressed by the lead dancers, the orchestrations, and the design, though disappointed by the corps de ballet.
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
Sir Peter Wright Centenary on 18 June will feature highlights from the director and choreographer’s most beloved works, and a return by Carlos Acosta.
En la película sobre la celebrada pareja de bailarines, la actriz británica dará vida a Margot Fonteyn, considerada la mejor bailarina de Occidente, mientras que el bailarín ucrani...
En la película sobre la celebrada pareja de bailarines, la actriz británica dará vida a Margot Fonteyn, considerada la mejor bailarina de Occidente, mientras que el bailarín ucrani...
Erin Morley, Lawrence Brownlee, and Malcolm Martineau put on a jolly good show at the 92nd Street Y.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
From out distinguished critic in residence: I: Cédric... The post Alastair Macaulay: Ravel emerges clearer in pink tweed appeared first on Slippedisc.
Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov'è la luna and Ohad Naharin's Minus 16.
Lydia Wharf sees the latest from Louise Lecavalier – She’s an icon. She owes you nothing. Yet somehow she gives you everything, in her own inimitable style.
Christopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
Hosting the evening was Misty Copeland, the trailblazing former ABT principal who remains one of the most recognizable names in dance, with Tamar Greene, Broadway's longest-running...
Graham Spicer sees the Milanese edition of Daniele Cipriani’s Les Étoiles gala and enjoyed its varied offerings, with Natalia Osipova and Aurélie Dupont stepping in at the last min...
Ballet Hispánico’s 56th Season brings together four choreographers whose work approaches dance as a way of thinking about the present. The En Familia/Family Matinee features full-l...
Les Étoiles, the well-known gala format seen across Italy, returns to the Teatro degli Arcimboldi in Milan this weekend – on 11 April at 9 pm and on 12 April at 5 pm.
After his debut in the ballet Mayerling, The Royal Ballet's Calvin Richardson spoke with Lily Hyde about his dream role and his career as Principal Dancer.
Graham Watts sees Rodolfo Castellanos’ Giselle with the National Ballet of Brno – a production that stands among the very best.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Pieces: 35Author: 4ReetPlay
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