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If Arthur joined the can-can ... an AI fantasyNo, Arthur Fiedler did not join the Gaîté Parisienne chorus line, as far as I know. The above is what 60 seconds with Gemini will prod...
Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or the Day of Madness) is a four-act opera buffa (comic opera) composed in 1786 by Wolfgang Amadeus Mozart, wit...
French music, particularly of the lighter variety, is not well represented on symphonic programs these days, with the exception of Debussy and Ravel. I took a look at the Cleveland...
An early summer visit to Volksoper Wien reaffirmed why it remains one of Europe’s most imaginative lyric theatres. Few companies today show comparable confidence in programming, mo...
Hans Werner Henze - Das Floß der Medusa, fragment from Part 1Dietrich Fischer-Dieskau (Baritone)Edda Moser (Soprano)NDR Chor (Chorale)NDR Sinfonieorchester (Orchestra)Hans Werner H...
The idea of an abridged Les contes d’Hoffmann troubles many opera lovers, yet Theater Lübeck’s compact two-hour version without intermission proved remarkably effective (seen June...
This Week in Classical Music: June 22, 2026. Charpentier, performers. Gustav Charpentier was born on June 25th of 1860, in Dieuze, a small town in eastern France. He is “the oth...
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