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We, as modern independent filmmakers, are stepping into an entirely unfamiliar landscape. For the better part of a century, the path was... The post Fathom Entertainment Talks Gett...
Moby and Lindsay Hicks’ Little Walnut has backed Edinburgh opener ‘The Incomer’.
Live events can help audiences form a personal relationship with your project, even if you give away tickets for free.
Exploitation horror came into its own in the 1970s when low-budget movies delivered thrills by shocking the audience in ways mainstream movies couldn’t get away with. Humans love n...
'$Positions,' 'Our Hero, Balthazar,' 'Fucktoys,' 'Situations' and 'The Napa Boys' are among the movies on the lineup, which will be followed by live Q&As with participating fil...
Four-day event will screen international premieres and spotlight rarely screened hidden gems
The self-released film brought in roughly $7,500 from its single screen opening in New York City.
"The Invite" and "Maddie's Secret" surprised, while some like "Gail Daughtry" and "I Love Boosters" left us wanting more.
Hollywood studios might be scouring for the next "Obsession," but there's a growing class of investors looking for projects that match their values.
Neon's horror road trip movie made $61,287 from just 5 screens this weekend.
If you're into movie-making (which we guess you are, because you're here right now), you know that the way independent films get financed has shifted hard in the last few years. So...
Letterboxd's Courtney Mayhew and George Linehan-Mitchell, along with "Lemonade Blessing" filmmaker Chris Merola, spoke with IndieWire about how the company's Video Store has become...
Every year a few hundred good independent films get finished and then get stuck. They premiere somewhere, collect a nice notice, and never reach a… The post Tyler Perry Studios Lau...
As a well-curated and cutting-edge small film festival, this year’s Vashon Island Film Festival (VIFF) exceeded expectations in programming, attendance, and cultural... The post Th...
In many ways, it feels like it should be harder for indie producers to succeed in 2026. With the digital The post Interactive Digital Entertainment Networks Are Rewriting the Finan...
Discovering indie films matters. One week it’s a basement-shot monster flick. Next week it’s a festival gem with no trailer and one... The post Scraping the Indie Film Beat: Proxie...
The major exhibitor is launching Leawood Films, a distribution company that will put indie movies in theaters that might otherwise be overlooked.
Indie filmmakers say California's tax credit skips them. L.A. County's proposed Evergreen Fund would offer grants instead — if it survives the budget.
Independent filmmaking often means making decisions around time constraints, budget, equipment, and resources. But those decisions also come with important lessons about filmmaking...
Leawood Films has advisors including Toby Emmerich, Ricky Strauss, and Kyle Davies, and will focus "primarily on small and medium-sized releases."
Indie auteur Joe Swanberg’s is ready to rock. Swanberg is writing, editing and directing an as-yet-untitled 35mm dramedy in Chicago. Shiloh Fernandez and Marc Senter star as Oliver...
From Kingston to Montreal, the filmmaker and actor is building an independent body of work across short film, television and original sci-fi storytelling
An independent film’s storyline tends to feature huge ideas, but there’s hardly any music budget, right? Getting a composer or licensing the... The post How AI Is Changing Music Sc...
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