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Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Lily Hyde spoke with Nina Ananiashvili, director of the State Ballet of Georgia, about the company’s 12-performance run of Swan Lake in London.
The celebration for Sir Peter Wright’s 100th birthday continued at the Birmingham Hippodrome last night with 20th-Century Masterpieces, a trio of wonderful short ballets, Frederick...
Reviewer Marta Mele sees Balanchine’s A Midsummer Night’s Dream in Rome, discovering a delightful balance of theatrical magic, lyrical romance and effortless laughter.
Of ballet, designer Zac Posen told Observer, "I think it's as important as eating, sleeping and making love. I think it’s part of humanity."
Birmingham Royal Ballet hosted a very special Gala night last night to celebrate the 100th birthday of the legendary Sir Peter Wright. The man who bought the Sadler’s Wells ballet...
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Pacific Northwest Ballet's Resident Choreographer Jessica Lang talks about her current triple bill, on stage in Seattle.
Tonight is the opening of the Verdensballetten (World Ballet) in the garden of the Royal Garden Society in Copenhagen, and it is on tour until 30 August.
The programme So Are We marks the first time a British company has performed the work of choreographers Sol León and Paul Lightfoot. Tristram Kenton took a first look at Covent Gar...
Season features a new Cinderella by Artistic Director Lona Gomez, the company's first Balanchine work, internationally recognized choreographers, and an expanded professional compa...
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