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In this episode of the No Film School Podcast, Wonder Dynamics co-founders Tye Sheridan and Nikola Todorovic join GG Hawkins to explain how their filmmaking backgrounds shaped the...
In this sponsored episode of the No Film School Podcast, editor Jon Fine joins GG Hawkins to discuss shaping The Revisionist, a dialogue-driven drama directed by Alex Vlack and sta...
In this episode of the No Film School Podcast, Tribeca Festival Director and SVP of Programming Cara Cusumano joins host GG Hawkins to reflect on 25 years of Tribeca and explain wh...
This is a sponsored podcast in partnership with Eddie AI.Most filmmakers wait until after production to identify their audience and develop a distribution strategy. In this sponsor...
There is an enormous difference between loving movies and understanding how filmmakers actually make them. Andrew Bloomenthal has spent years exploring that difference from both si...
In this episode of the No Film School Podcast, Emmy-nominated stunt coordinator and performer Victor Paguia joins GG Hawkins to explain how action sequences are designed around cha...
In this episode of the No Film School Podcast, host GG Hawkins chats with filmmakers Amanda Drexton, Michael A. Drexton, and Samantha Westervelt, who, after an earlier feature proj...
There is a beautiful illusion that many filmmakers carry when they first pick up a camera—the belief that talent alone opens doors. Yet filmmaking has always been less like sprinti...
In this episode of the No Film School Podcast, Madhouse Films co-founders Katherine Romans and Charlie Traisman join GG Hawkins to explain how they built an independent production...
The veteran director of "Alien," "Blade Runner," and "Black Hawk Down" visits IndieWire's Filmmaker Toolkit podcast to talk about his latest film.
Independent filmmaking often means making decisions around time constraints, budget, equipment, and resources. But those decisions also come with important lessons about filmmaking...
Every aspiring filmmaker eventually reaches the same crossroads. One path is filled with endless books, YouTube tutorials, podcasts, and discussions about filmmaking. The other req...
When people talk about careers in film and television, the conversation tends to revolve around the same handful of roles. Directors, Actors, Writers and Producers are the people i...
Most independent filmmakers spend years trying to get one movie made. David M. Latt helped build a company designed to make movies continuously. As co-founder of The Asylum, the in...
In this episode of the No Film School Podcast, editor, director, and producer Whit Conway explains how the Hulu comedy Never Change! was assembled on an unusually compressed post-p...
There is a dangerous idea floating around filmmaking that says we need permission before we can begin. Permission from a film school. Permission from a producer. Permission from an...
Filmmaker and producer George Jaques and producer Ken Petrie tell all.
In this episode of the No Film School Podcast, Writer-director Sam Hayes and actor-filmmaker Michael Vlamis break down the making and unconventional release of Pools, a coming-of-a...
Featuring Dennis Muren, Janet Lewin, Rob Bredow, Jeff White, Cary Philips, Rachel Rose, Ben Morris, David Vickery, Ben Snow, Hayden Landis, John Knoll and Todd Vaziri. The post All...
PixelTools has released HDR Toolkit. If you are generating dual deliverables (SDR and HDR) for a current project or remastering catalog titles from an archival SDR master, moving a...
Every screenwriter starts with the same confidence: a great idea and the belief that inspiration alone will carry the story to the finish line. But somewhere between page twenty an...
A new podcast with Cameron Target. The post Behind the role of a VFX coordinator appeared first on befores & afters.
The showrunner of Apple's hit series tells the Filmmaker Toolkit podcast about working with Martin Scorsese and Steven Spielberg as producers, finding a worthy Max Cady in Javier B...
Making a movie is brutal. It's hard. We know.But the lead-up to the green light might even be worse. Before you get to hire actors or buy props, you often have to sit across from s...
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