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The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also...
"Du bist die ruh" was one of the first art songs I ever knew.
This song has always been one of my favorites.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.
Janet Baker sings Elgar's Sea Pictures with such honesty and clarity and fervor.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
I have always loved this recording of Canteloube's Chants d'Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
This prompt of "favorite art song performance" seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Rosa Ponselle is the singer who had it all.
Respighi's liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola's recording of the first song from Qu...
Does this count as an art song?
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
Wolfgang Holzmair's performance was amazing in its personal and intimate approach.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
With youthful abandon, Ms. Feola interprets an old chestnut.
This performance of Poulenc's "Les Chemins de l'amour" is a gem.
Thanks to Elly Ameling, I made it through college.
It's not where you start but where you Finnish
What I love most about Sergei Rachmaninoff's "Lilacs" is how beautifully it captures the quiet intimacy at the heart of art song.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D'Annunzio's "O falce di luna calante"!
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