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Recent items include:

  • Fatih Akin Made a Nazi-Era Coming-of-Age Film as a Favor — Then It Became an $8 Million Hit
  • ‘Amrum’ Review: Fatih Akin’s World War II Coming-of-Age Film Is Unlike Anything He’s Done Before
  • ‘Amrum’ Review: Fatih Akin Finds The Slow, Wounding End Of Innocence

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indiewire.com /1 month ago

Fatih Akin Made a Nazi-Era Coming-of-Age Film as a Favor — Then It Became an $8 Million Hit

Akin honored his old friend and mentor, the German New Wave veteran Hark Bohm, to deliver Bohm's story on film before he died in 2025.

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indiewire.com /1 month ago

‘Amrum’ Review: Fatih Akin’s World War II Coming-of-Age Film Is Unlike Anything He’s Done Before

Fatih Akin took directing duties on "Amrum" when his friend, the cult German director Hark Bohm, fell ill and couldn't make it himself.

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theplaylist.net /1 month ago

‘Amrum’ Review: Fatih Akin Finds The Slow, Wounding End Of Innocence

A child’s-eye view of war often depends on distance — on what can be half-seen, half-misunderstood, and only slowly absorbed as history hardens into personal loss. German-Turkish f...

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newyorker.com /1 month ago

“Amrum” Offers a Child’s-Eye View of Fascism in Retreat

In Fatih Akin’s coming-of-age drama, a twelve-year-old German islander witnesses the end of the Second World War from a perilous, momentous remove.

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taz.de /1 week ago

Körperfragen in Cannes: Schläge kommen von Gott

Regisseur Cristian Mungiu stellt in Cannes unbarmherzige Fragen zu religiöser Freiheit. Und Léa Seydoux tauscht den Körper. mehr...

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taz.de /1 week ago

Körperfragen in Cannes: Schläge kommen von Gott

Regisseur Cristian Mungiu stellt in Cannes unbarmherzige Fragen zu religiöser Freiheit. Und Léa Seydoux tauscht den Körper. mehr...

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taz.de

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theplaylist.net

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indiewire.com

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newyorker.com

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