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When it comes to Tri-X, I’ve always seen this film as having a wide latitude. I have since learned that the new formulation, 400TX, first released in 2007, isn’t as good as the pre...
Kodak Direct Positive Panchromatic Safety Film, or Kodak DPPSF, is probably the oldest film that I have ever taken in for review. Kodak DFFPSF is one of the many motion picture fil...
After seeing the results I got out of Kodak TMax 100, I had high hopes for Delta 100. Delta 100, being a modern emulsion, is a good film stock: sharp, lots of contrast, and some de...
This film can look very different, depending on how or what you develop it with. I spent six years and countless rolls with this emulsion as a go-to. In this in-depth review, I sha...
Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the ma...
There is a certain clique of photographic films, let’s call it the “Sub-100 Club.” This is a group of films who flaunt ultra low ISO ratings below 100. [Read More]
With this week’s Film Friday we are hitting the highest point on the Cinestill triangle so to speak. Today we are taking a look at Cinestill 800T, arguably their flagship film and...
Eastman Kodak's film distribution resurgence continues. The legendary Rochester-based Eastman Kodak and United Kingdom-based Dupli have announced that Dupli is now the official UK...
Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some i...
Ilford Delta 100 is a high-resolution medium-speed black-and-white film that features tabular grain in its emulsion (a Core-Shell™ technology). Launched in 1992, it was the respons...
Fujifilm Fujicolor 100 is made in Japan — but this film is not available anywhere else in the world, unless you’re willing to import it. This is not a respool of any Kodak film: i...
One of our staff members used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel: you couldn't miss. While that sentiment...
We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgi...
Ilford Photo has unveiled a new limited-edition black-and-white film, Ilford Delta 400 Professional Collector's Edition. [Read More]
Last year was a big year for more premium modern 35mm cameras; you have the Pentax 17, the Lomography MC-A, and this one. The RETO Kodak Snapic A1 marked a major shift for RETO in...
Welcome to another Film Friday spotlight! This time we’re turning our attention to a film that is simultaneously quite popular but still somehow underappreciated: Kodak Gold 200. [...
After I got into the Nikon autofocus system, I started looking at cameras that were better than my Nikon F80. Don’t get me wrong, the Nikon F80 was the right camera for me at the t...
I knew, I just knew that one day I would end up here with a large format camera. You could say I was influenced by the Film Photography Project and one of their hosts specifically....
In February 1996, five of the biggest names in photography, companies that spent the rest of the century trying to bury each other, walked onto one stage in Las Vegas and formally...
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
Toronto. When film/plates were the way to go, ISO (ASA) ratings on the media were so slow professionals and advanced amateurs used studio lights (or flash) to soften shadows and al...
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