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The energetic, immersive production mixes the familiar with the unexpected. By MELISSA LIN STURGES
Like the myth of Pygmalion, the kNOT theater company is bringing visual art to life, weaving together the centuries-old tableau vivant tradition with inventive 21st century approac...
British theater artist Emma Rice, who has previously stunned Bay Area audiences with wildly creative adaptations of classic films, novels, and fables, is back at ACT with a delight...
Some of the most impressive theater out there comes from the whimsical enthusiasm of youth. Rose Children’s Theatre has been in Eugene since 1978, offering … Continue reading →
The thoroughly enjoyable, well-acted production honors its source material and makes great use of its cozy space. By VALERIE J. MIKLES
A Public Fit strives to keep local theater alive and exciting.
The production offers a unique opportunity to see Thornton Wilder’s masterpiece in an intimate, in-the-round setting. By JULIA TUCKER
This hot take on ‘The Crucible’ is likely to entertain, startle, delight, and horrify you. It will make you laugh, then suddenly stop. By CYBELE POMEROY
MOLIERE WOULD HAVE LOVED IT Much to celebrate here, and not only the return of that maverick angel Mark Rylance: once again treading a London stage, adorned with a clerical col...
This witty, intimate production at Greenbelt Arts Center is a gift for fans of medieval intrigue and messy family drama. By MEGAN FRAEDRICH
A 30-seat black box, 14 brave actors, and a whole mythic sea conjured out of rope, benches, and human breath. By NATASHA PARNIAN
Beauty and spectacle are abundant in this performance, produced in association with Solas Nua. By GREGORY FORD
An original, unpredictable and gripping piece of theatre. The post Review: Talking People, Bush Theatre appeared first on Everything Theatre.
In 2008, legendary performance artist Joey Arias teamed with puppet master Basil Twist to concoct a bold theatrical fantasia titled “Arias with a Twist.” Directed by Twist, with co...
World premiere by DC-based playwright Stephen Spotswood runs September 25-October 17 at Montgomery College Cultural Arts Center.
Spooky Action Theater's engaging feminist fable reframes the Arabian Nights with bawdy tales and a strong ensemble. The post ‘Hakawatis’ Review: Women Tell Tales to Survive appeare...
A WILD DECEPTION Solemnly, a great dark chime summons a ring of black-cloaked figures, pleading forgiveness, singing of disgrace, circling round a stack of peasant props – table...
One is based on the true story of Genie Chance, a woman who steadied the city of Anchorage during the Great Alaska Earthquake of 1964. The other is clearly inspired by another true...
Setting the story in eerie Appalachia entertains and almost works. By ZOE WINSKY
This funny, inventive production is alive with cinematic-quality reimaginings. By SHERRITA WILKINS
By Giselle Byrd. Giselle Byrd reflects on the Theater Offensive’s Creative Labor, Creative Conditions activations which brought together legendary Boston figures who shaped our cul...
Playwright Stephen Spotswood pens a spellbinding ode to the ones we lost along the way. By MARY V. HOLIMAN
Washington Improv Theater's fall series at Studio skewers local elections and big musicals — and hilarity is had by all. By JOHN STOLTENBERG
A new women- and queer-run theatre company has landed in Dallas. Witches 3 Productions is the brainchild of Meagan Harris, Cheyenne Haynes and Katie Wetch. And its first full-leng...
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