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Industry veteran joins the senior creative teams, bringing experience across major film and episodic projects and strengthening the leading visual effects studio’s global visual ef...
[Sponsored] Discover volumetric infrastructure firm Gracia's pipeline for streaming 4D Gaussian Splatting content directly in a web browser.
By BARBARA ROBERTSON Images courtesy of Industrial Light & Magic. Gene Kozicki, pictured here, and Brooke Breton worked in partnership with the Science and Techn...
For Tron Ares, Distillery VFX delivers a striking sequence set in the iconic 1982 Grid, revisiting the franchise’s visual origins with precision and respect for its legacy. Distill...
By TREVOR HOGG Every individual shape of the T-1000 in Terminator 2: Judgment Day was modeled by hand. (Image courtesy of Industrial Light & Magic)...
For The Wrecking Crew, 37 Degrees Studio handled the creation of environments and visual effects, transforming a modern New Zealand home into a high-end Hawaiian clifftop mansion....
Explosions, espionage, and large-scale destruction: discover how DNEG crafted the ambitious visual effects of Citadel Season 2, from digi-doubles and CG vehicles to a spectacular o...
The art of compositing - this artist sits at the heart of both live-action and animation. The post From classroom to credits appeared first on befores & afters.
New platform offers access to curated feedback sessions from industry professionals in VFX, animation, and game development as part of a broader ecosystem that includes the upcomin...
See videos of key tools used on the Avatar sequels, including the Loki multiphysics framework and Pahi fluid simulation pipeline.
Former Adobe Research scientists—including a former Principal Scientist who developed image deblurring used by the FBI—have co-founded an AI animation startup with Tencent T15. The...
By TREVOR HOGG Predator: Badlands. Tax incentives have spurred global growth. (Image courtesy of 20th Century Studios) Financing movies and television...
With Biônicos, the São Paulo-based studio Picma Creative Post brings an ambitious dystopian world to life through an extensive visual effects pipeline, reinforcing the scale and in...
Adobe Research has previewed MotionStream, an experimental technology that lets creators interact with AI-generated video in real time — adjusting object movement and camera angles...
By TREVOR HOGG An indication that the Indian domestic film industry has become more accepting of visual effects is the blockbuster RRR. (Image courtesy of DVV Entert...
Disney-owned VFX company’s UK division reported revenues of £94.3m in its latest accounts
At NAB 2026, 4DV.ai and OBSBOT teamed up to show what professional 4D Gaussian Splatting volumetric capture looks like once it leaves the research lab. Their joint installation use...
A round up of chatting to Roland Emmerich, Then & Now sessions, and AI. The post Reflections on FMX 2026 appeared first on befores & afters.
desktopGeneration is an avant-garde digital art and design collective that describes itself as a “firm from a future beyond your understanding”. Operating with a highly curated, fu...
DCM Studios was named Commercial Team of the Year at the Campaign Media Awards.
The former SideFX and DNEG executive joins the company’s leadership team as the studio expands its investment in AI, scalable pipelines, and next-generation production technologies...
What's new in Headshot 3. The post Reallusion Redefines Digital Double Creation with the Launch of Headshot 3 for Character Creator 5 appeared first on befores & afters.
A two-week theatrical window, fan-driven demand, and exhibitor pressure are turning this release into a truly exciting industry phenomenon.
Release includes motion dataset, foundation model, and streaming architecture designed to align speech, gesture, and expression in live conversation
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