DXD Unifies TBWA Collective’s Visual Identity
This new global visual identity for the TBWA Collective was developed by DXD®, led by Bruno Regalo, Global Chief Design Officer, TBWA\Worldwide and Head of DXD. It incorporates han...
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This new global visual identity for the TBWA Collective was developed by DXD®, led by Bruno Regalo, Global Chief Design Officer, TBWA\Worldwide and Head of DXD. It incorporates han...
Puget Systems returns to SIGGRAPH 2026 with Form Studios' Robo Dojo, a motion-controlled activation that lets attendees battle AI robots as a real-time MetaHuman.
Jurassic Park. The Abyss. Beauty and the Beast. And, 35 years ago this month, Terminator 2. In this edition of Tech Time Warp, we look back at the contributions of Dr. Marc Regis,...
New tech compresses geometry caches from destruction, cloth and liquid sims by 'up to 92%' for real-time rendering in Unreal Engine.
A leading creative innovator in animation and digital creation, the National Film Board of Canada (NFB) will be at SIGGRAPH 2026 to explore new approaches in visual sto...
New browser-native rendering technology powers next-generation Visual CPQ (Configure, Price, Quote) experiences with photorealistic materials, lighting and shadows — without the...
From invisible enhancements and digital environments to FX simulations and brutal gore effects, the visual effects created by DNEG for Motor City helped amplify the film’s relentle...
The tech company has launched a rolling beta of its interactive previs tool, with new features including a 3D asset library, real-time compositing, Spark Atlas and direct USD file...
By the Power of Grayskull! DNEG takes us behind the visual effects of Masters of the Universe, from the digital world of Eternia to CG characters like Cringer, Roboto and Skeletor,...
A look back at some past Jurassic World films with the VFX supe. The post ILM’s David Vickery on combining practical and digital appeared first on befores & afters.
See how the effects for the 1970s-set action thriller were created: from CG recreations of Detroit to wince-inducing combat sequences.
Duolingo has acquired Animade, a London animation and motion design studio behind work for brands like Figma, Airbnb, Netflix, Google and Meta. The post Duolingo Doubles Down On Ch...
A generation panel pinned to the bottom of Neural4D Studio lets users create 3D models, images, or videos from a single prompt. For creators working across 3D, image, and video, sw...
Go behind the scenes on creatures and environments. The post DNEG shares VFX breakdown for ‘Masters of the Universe’ appeared first on befores & afters.
Every weekend, we highlight a handpicked selection of stories from Art of VFX. Whether you’ve missed an interview, want to revisit a great breakdown, or discover the artists behind...
How Flow Studio's new 3D Editor + Canvas moves creators beyond simple prompts.
From The Archives: Thirty years after its release, Independence Day remains one of the defining blockbusters of the 1990s, a film that helped reshape the scale, ambition and visual...
SEC filing shows company has put money behind machine learning at Disney Research Studios and Walt Disney Imagineering, promising a creative process that stays 'human-centered' - p...
Spatial Storytelling, the Immersive Pavilion, the Art Gallery, Emerging Technologies and the in-person Hands-On Courses track spotlight boundary-pushing tools and interactive techn...
Virtual production company Orbital Studios has a new brick-and-mortar home. The producer whose credits include Netflix’s Nemesis and FX’s upcoming The Drop: A Snowfall Saga is sett...
When we first spoke with Dan Lemmon in 2011, he was a VFX Supervisor at Weta Digital (now Weta FX), Rise of the Planet of the Apes had just introduced audiences to a new generation...
The leading VFX house is already running the tool on episodic, film and experience-based projects in production, and expects to finish migrating by the end of the year.
Lola USA has launched a new global visual identity as part of its expansion into the United States and Brazil, collaborating with renowned graphic designer David Carson. The campai...
How do you bring the dragons of House of the Dragon to life? Production VFX Supervisor Dadi Einarsson and Production VFX Producer Tom Horton take us inside the making of Season 3,...
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