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Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Rosa Ponselle is the singer who had it all.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Barbara Hannigan mesmerizes as both a brilliant vocalist and a proficient opera conductor in a double bill of Strauss and La voix humaine with the New York Philharmonic.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Bring on the drama, mama!
I have always loved this recording of Canteloube's Chants d'Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
With youthful abandon, Ms. Feola interprets an old chestnut.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Thanks to Elly Ameling, I made it through college.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
The mezzo-sopranos Joyce DiDonato and Denyce Graves and the countertenor Anthony Roth Costanzo share their picks of essential productions.
Respighi's liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola's recording of the first song from Qu...
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
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