Review | Accabadora: Psychological Verismo at Aix
The burden of choice runs through this year’s Festival d’Aix-en-Provence. From the moral trials of Die Zauberflöte to Die Frau ohne Schatten, where happiness can only be secured at...
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The burden of choice runs through this year’s Festival d’Aix-en-Provence. From the moral trials of Die Zauberflöte to Die Frau ohne Schatten, where happiness can only be secured at...
Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d'Arco from 1951.
Domestic violence against women and femicide are increasingly in the news. A revival of the opera L’hiver attend beaucoup de moi by composer Laurence Jobidon and librettist Pascale...
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Bring on the drama, mama!
Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
An unpublished work by the young Gaetano Donizetti, consisting of four pages, sets to music the text of Psalm 110, Dixit Dominus.
Opening this year’s Festival d’Aix-en-Provence in the courtyard of the Théâtre de l’Archevêché on July 2, Clément Cogitore’s new production of Die Zauberflöte confronts one of oper...
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
A new production of Die schweigsame Frau at the Berlin Staatsoper has precious little to say.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Stiffelio has always been the dark horse of early Verdi operas.
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
Hans Werner Henze - Das Floß der Medusa, fragment from Part 1Dietrich Fischer-Dieskau (Baritone)Edda Moser (Soprano)NDR Chor (Chorale)NDR Sinfonieorchester (Orchestra)Hans Werner H...
Matthew Travisano has such doubts about Douglas Cuomo's opera recently seen at Opera Parallèle.
San Francisco Opera hosts an exuberant tribute to queerness past and present.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn't count.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
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