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"Good dialogue comes from character development . The better you know your character, the more specific the dialogue is going to feel."--Chris McCoyGo Into The Story interview, Nov...
We are in the starting phase of development. It's a historically accurate WW2 scenario. The script is being written based on interviews and memory books from the combatants Awesome...
This story is completely ficticious. I wrote it. I have used a mixed format, script-like and story-like, only because I thought it would be easier to identify the speakers. The Mee...
Here are some of the most hard-hitting lines from Meghna Gulzar's upcoming film Daayra. Continue reading ...
Here are some of the most hard-hitting lines from Meghna Gulzar's upcoming film Daayra. Continue reading ...
Sergio Leone's Once Upon a Time in the West is a nearly three-hour Western that spends most of its runtime moving very, very deliberately.Charles Bronson plays a gunfighter known o...
If you haven't seen For a Few Dollars More, it's one of Sergio Leone's classic Spaghetti Westerns. The story features two bounty hunters, both with their own codes, circling each o...
Can a film tell its story without a single line of dialogue? That was one of the questions I wanted to explore when I began making Persian Gulf (2026). The film is a 4-minute-31-se...
Marcus thinks the sealed envelope was a goodbye. Lina tells him it was an address—and sets down the key to the place where she waited. I used an AI video generator to turn that mis...
“There really are no characters in plays; there are relationships.”--Arthur MillerFor 100s more On Writing posts, go here.The Protagonist’s Journey: An Introduction to Character-Dr...
Conversation #1 — YunHao (my roommate)Continue reading on Medium »
Fat Kazza and Norma are having a pow wow...
“Sometimes you’ll get a note, ‘This scene is boring, can we put in a car chase?’ What you should take from that note is this scene, this quiet scene you intended to be emotionally...
Shared work can change how we treat one another—even when we disagree deeply on the big questions.
CEFR A2; focus: starting a conversation in everyday situations.
“Every scene has to be doing something. It has to be moving the story along, peeling off a layer of the onion so to speak. The goal in its…
If you've ever written a screenplay, you probably know that finishing the dang thing is only half the battle. Now you have to read it back and figure out if it's good or not. And y...
There is a hesitation that sometimes precedes a difficult conversation. A child lingers in the doorway or waits until the car journey is over before saying, “Please don’t get angry...
Conversations are supposed to be two-sided – but all too often we come up against someone who’s passionately, exclusively in love with the sound of their own voice. Time to fight b...
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