What We Don’t Talk About: Essential Tips for Writing Dialogue
Often, the emotion is found under, behind, and between the words, not in the words themselves By Dinty W. Moore Here is something entirely true: people are fascinated by the way ot...
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Often, the emotion is found under, behind, and between the words, not in the words themselves By Dinty W. Moore Here is something entirely true: people are fascinated by the way ot...
By Margaret Mandell “Well, aren’t you all dressed up like a Christmas prick?” I exclaim each morning when my professor husband emerges from the bedroom all spiffy in his tailored s...
“A good film script should be able to do completely without dialogue.”Continue reading on Go Into The Story »
By Nandita Dinesh. Applied theatre has always been about people: whom it's for, whom it's with. How do these questions transform when the work moves from the field to the page?
Diane Debrovner and Stacy Cervenka join us to talk about their new book, ROXIE IN COLOR.
Tucker Berke is a screenwriter and coach who likes to keep the advice simple and straightforward. Rather than focusing on the big, standard tips like the importance of three-act st...
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