This buzzy Derek Jarman doc gives insight into a great artist lost to AIDS
Jarman's legacy is even more important today
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Jarman's legacy is even more important today
In 1991, British filmmaker Derek Jarman screened Edward II, his political and wildly inventive adaptation of Christopher Marlowe’s classic play, at the Venice Film Festival. The fi...
Consider, for a moment, the cupboard — maybe in the spirit of irreverence we should term it a closet — in which, for 30-odd years, lay undisturbed the footage that future star cine...
Venice: BTS footage from the 1991 film “Edward II” is given urgent personal and political context in this electrifying debut feature.
The usually glittering interior of the Fitzrovia Chapel is currently suffused with blue light in homage to the late artist Derek Jarman and his final film, Blue.Read more ›
Theo Rollason discusses his feature directorial debut, exec produced by Tilda Swinton and Sandy Powell, now screening at the London Film Fest, and how “anti-trans rhetoric and atta...
Tilda Swinton and Sandy Powell are EPs on Theo Rollason's directorial feature debut, premiering at Venice: "I hope the film can function not simply as a snapshot of a historical mo...
Hardcore cinephiles are in the middle of one of the most important weeks of film ever right now, with the 4K theatrical re-release of Ken Russell's highly controversial historical...
Production designer Derek Jarman's sets in "The Devils," now gloriously restored, help make the past happen over and over again — now.
Bruce LaBruce's first feature might be the closest thing he'll ever make to a rom-com.
Like the proverbial demon that pursues its victim from one place to the next, Ken... The post The Devils Director’s Cut Review (2026 BFI London Film Festival) appeared first on .
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