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A WILD DECEPTION Solemnly, a great dark chime summons a ring of black-cloaked figures, pleading forgiveness, singing of disgrace, circling round a stack of peasant props – table...
Setting the story in eerie Appalachia entertains and almost works. By ZOE WINSKY
This is the marvellous production from the Bridge Theatre, and I append my oroginal review below. But it’s worth recording how wonderful a second viewing is, in the rowdier, someti...
This witty, intimate production at Greenbelt Arts Center is a gift for fans of medieval intrigue and messy family drama. By MEGAN FRAEDRICH
A 30-seat black box, 14 brave actors, and a whole mythic sea conjured out of rope, benches, and human breath. By NATASHA PARNIAN
In a post-Roe v. Wade era, Arlene Hutton’s play is art to spark social change. By MARY V. HOLIMAN
Director Susy Moorstein frames the production with a powerful vision: that the injustices depicted in the show are not confined to history.
Some of the most impressive theater out there comes from the whimsical enthusiasm of youth. Rose Children’s Theatre has been in Eugene since 1978, offering … Continue reading →
This razor-sharp regional production finds the humanity in monsters — and never once loses its edge. By NATASHA PARNIAN
The production offers a unique opportunity to see Thornton Wilder’s masterpiece in an intimate, in-the-round setting. By JULIA TUCKER
THE TURBULENT PRIEST REMEMBERED Sharp of AD Tom Littler, during the renovation of his theatre opposite, to direct (with Francesca Ellis) this gloriously set, candle-rich produc...
Set in the 1950s segregated South, this visionary production heightens a story about characters trying to make sense of inequality. By DANIELLA IGNACIO
The energetic, immersive production mixes the familiar with the unexpected. By MELISSA LIN STURGES
This funny, inventive production is alive with cinematic-quality reimaginings. By SHERRITA WILKINS
This small-scale production packs a mighty big sense of humor. By MELISSA LIN STURGES
World premiere by DC-based playwright Stephen Spotswood runs September 25-October 17 at Montgomery College Cultural Arts Center.
Last night I saw To Kill A Mockingbird at The Huntington Theater in Boston. It's up through November 8 and I highly recommend it for your consideration. This is a stage production...
Spooky bluegrass musical comedy won Best Musical at Capital Fringe in 2023.
Even before the house lights fade, the intimate space suggests a storybook wilderness. By DANA ROBERTS
The thoroughly enjoyable, well-acted production honors its source material and makes great use of its cozy space. By VALERIE J. MIKLES
The production at the ARTfactory prompts us to ponder Sartre’s unsettling questions about our existence. By LAURIE SARA OLIVER
The production is a labor of love from a cast, crew, and creative team whose emotional connection to the work clearly shows. By ALEXANDRA BOWMAN
This dramatic one-man production is a delightfully fitting start to the spooky season and an adventure for all ages. By EM SKOW
This unique take on the Halloween classic blends humor, suspense, and spooky entertainment. By JULIA TUCKER
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