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This sixth Broadway revival of Arthur Miller’s towering play is undeniably a Prestige Production, but it’s one that strains for effect, from the casting of Nathan Lane and Laurie M...
The great innovation of Shakespeare’s King Lear is that its patriarch has no sons. This problem — Lear has a vast estate, and only daughters to inherit it — marks the onset of a di...
Arthur Miller’s classic tragedy returns to Broadway, starring Nathan Lane and Laurie Metcalf. Yet again, it is a triumph.
Readers respond to an Opinion guest essay by Eric Alterman, about the power of the Arthur Miller play. Also: Patients and chatbots.
A revival of “Death of a Salesman” comes as the “Zionist consensus” is openly fracturing.
When Arthur Miller died in 2005 at the age of 89, as Charles Bigsby tells us on the last page of his latest Miller book, it was on the anniversary of the opening night of the first...
Don’t waste time asking whether we really need another Death of a Salesman, and certainly don’t even begin to question whether Nathan Lane has the dramatic chops to tackle one of A...
Bigsby met the playwright in the 1960s, founded the Arthur Miller Centre for American Studies at the University of East Anglia in 1989, and has written extensively about his life a...
At the time of his death at the age of 78, legendary American playwright and novelist Thornton Wilder (1897-1975) – the only writer with the distinction of having won the Pulitzer...
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