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Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra's performances of Puccini's triple-bill.
Bring on the drama, mama!
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Does this count as an art song?
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
American tenor Charles Castronovo performs a bit of Weber's Der Freischütz ahead of the opportunity to hear Berlioz's take on the score at Carnegie Hall next week.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
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