Elizabeth Dinkova on directing post-apocalyptic ‘Mr. Burns’ at The Clarice
For a production at UMD, the Spooky Action artistic director is recharging Anne Washburn’s ‘Post-Electric Play,’ which plugs into ‘The Simpsons.’ By REBECCA CALKIN
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For a production at UMD, the Spooky Action artistic director is recharging Anne Washburn’s ‘Post-Electric Play,’ which plugs into ‘The Simpsons.’ By REBECCA CALKIN
In Anne Washburn’s comic epic, Bart Simpson rescues civilization from collapse. By GREGORY FORD
The cast is wonderfully warm and brings a softness that draws audiences young and old into the show. By ERIC COLCHAMIRO
Heavyweight former Royal Court boss Cooke takes over the Islington powerhouse with an exciting year of work
Columbia mainstay Toby’s delivers a high-quality production of an underwhelming show. By ERIC COLCHAMIRO
This funny, inventive production is alive with cinematic-quality reimaginings. By SHERRITA WILKINS
The most striking element is the of Caliban, played with wary resentment by Ronald Román-Meléndez. By ANDREW WALKER WHITE
Web: margotsinclair.com Players: Kyle Mix, vocals; Luke Sutherland, guitar; Carson Baer, guitar; Owen Rice, bass guitar, background vocals; Donovan Hess, drums, background vocals A...
The man who sings and plays Woody Guthrie shares insights about his heartfelt and inspiring show, joined by Voices Festival producer Ari Roth. By DEBBIE MINTER JACKSON
The playwright talks about magic, outsiders, and writing her first play for young audiences at Adventure Theatre MTC. By JULIA TUCKER
By . Join Anne Bogart and Barbara Lanciers in conversation with Double Edge Theatre founder Stacy Klein about her new book Alchemy of Living Culture: Collected Writings on Double E...
Fresh from playing the Cyclops in Christopher Nolan’s “The Odyssey,” the rubber-limbed actor chats about reviving and starring in Molière’s “The Imaginary Invalid” on Broadway.
The engaging cabaret, co-written by the four-member immigrant cast, offers a lively, nuanced look at the good and bad of joining the American experience. By NEAL LEARNER
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