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Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Birmingham Royal Ballet hosted a very special Gala night last night to celebrate the 100th birthday of the legendary Sir Peter Wright. The man who bought the Sadler’s Wells ballet...
The celebration for Sir Peter Wright’s 100th birthday continued at the Birmingham Hippodrome last night with 20th-Century Masterpieces, a trio of wonderful short ballets, Frederick...
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
Diane Parkes talks to Carlos Acosta about Myths and Modern Masters, the mixed bill that he’ll present at the Royal Ballet and Opera in August.
Tonight is the opening of the Verdensballetten (World Ballet) in the garden of the Royal Garden Society in Copenhagen, and it is on tour until 30 August.
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
"Dancing with the EYB is an experience that will stay with young dancers forever."
The programme So Are We marks the first time a British company has performed the work of choreographers Sol León and Paul Lightfoot. Tristram Kenton took a first look at Covent Gar...
Matthew Paluch sees The Sleeping Beauty at The Royal Albert Hall – good dancing with a digital backdrop that brings the story and score to life even more.
This year’s celebration of contemporary dance in the French city is bold, baffling and breathtaking, with some high-voltage performersLaunched in 1981, the pioneering Montpellier D...
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
Hoddinott Hall, CardiffWorks about infatuation and deep feeling were fitting choices with which the Ryan Bancroft bid a celebratory farewell to the BBC National Orchestra of WalesB...
The winners of the 2025 National Dance Awards were announced today, marking the 26th anniversary of the awards (#NDA26).
Sadler’s Wells, LondonThe company’s centenary celebration isn’t about nostalgia – this occasionally thrilling triple bill of recent creations showcases some excellent dancersBritai...
Graham Watts sees Gentleman Jack with Nida Aydinoğlu – a future star – and enjoys the unique choreographic style, memorable score, and emphatic set design.
Lily Hyde spoke with Nina Ananiashvili, director of the State Ballet of Georgia, about the company’s 12-performance run of Swan Lake in London.
Graham Watts sees two top ballet schools at the Royal Ballet & Opera's Next Generation Festival, dancing as if they were already fully fledged professionals.
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Glyndebourne, SussexThis revival of Michael Grandage’s atmospheric production of Britten’s opera has numerous fine performances: Thomas Mole and Sam Carl are persuasive as Billy an...
Jonathan Gray sees the Ballet Flamenco de Andalucía – an attractive but ultimately disappointing climax to the Flamenco Festival London 2026.
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