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La Scala announces its 2026-2027 Opera Season with 13 titles. It is Myung-Whun Chung’s first season as Music Director.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
The complete presentation, calendar and production details of the full Royal Opera 2026-2027 Season.
Bring on the drama, mama!
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Italian filmmaker hopes his staging of John Adams’s “The Death of Klinghoffer” will help audiences look past the controversies surrounding the work.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Parterre Box features the Met's current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Verdi's Nabucodonosor opens tonight at La Scala. Riccardo Chailly's last opera - his tenth Verdi title at the theatre - and the 210th performance of Nabucco.
Parterre Box acknowledges Riccardo Muti's 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
American tenor Charles Castronovo performs a bit of Weber's Der Freischütz ahead of the opportunity to hear Berlioz's take on the score at Carnegie Hall next week.
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Beatrice Venezi will no longer be music director at Teatro La Fenice in Venice after the conductor's interview with the Argentine newspaper La Nación.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Before the screams of horror begin, it says 'favorite', not best.
Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa's bold production at the Lyric Opera of Chicago.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
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