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Matters of adolescent identity and child welfare loom compellingly large in new festival-premièred films from Marine Atlan, Jordan Firstman, and Cristian Mungiu.
In its first week, the seventy-ninth edition of the festival unveiled standout new works by James Gray, Paweł Pawlikowski, and Ryûsuke Hamaguchi.
In the Argentinean filmmaker’s new documentary, “Our Land,” and a recently restored masterpiece, “The Headless Woman,” an elusiveness of form becomes the most direct way to the tru...
Also: Zendaya and Robert Pattinson in “The Drama,” Michael Schulman on spring fabulosity, Rachel Syme on the latest in trenchcoats, and more.
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Michael Lee Nirenberg’s oral history of classic New York filmmaking centers on crew members whose labor the movies are made of, and reveals behind-the-scenes passions and tensions...
Also: Jennifer Tilly in the surreal world of “The Adding Machine,” New York City Ballet’s spring season, Anne Hathaway and Michaela Coel in “Mother Mary,” and more.
"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
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In Ildikó Enyedi’s meditative nature epic, three lonely experimenters from three different eras seek to unlock the secrets of plants—and learn something vital about themselves.
Also: the megawatt hip-hop of Baby Keem, the buzzy period reimaginings of Scottish Ballet, the time-capsule documentary “With Hasan in Gaza,” and more.
Arnaud Desplechin’s vigorous tale of a pianist’s return home to a mentor and an ex-lover lines up its characters’ traits like dominoes, and ignores the world they live in.
In Steven Soderbergh’s film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground.
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
Sátántango is considered a holy rite for hardcore cinephiles. It also helped me confront my dwindling attention span.
A young woman is all smiles as she accepts an industry award in front of an adoring audience. She sneaks away following... The post The Currents first appeared on Film Threat.
On the latest from Ron Howard & Volker Schlondorff.
On two films, including the opener of this year's competition for the Palme d'Or.
What’s coming this season in TV, theatre, music, movies, dance, and art.
Olivier Assayas’s adaptation of a novel about a fictionalized adviser to Vladimir Putin reduces politics to personalities and atrocities to anecdotes.
On two from Cannes Competition, featuring world-famous actresses.
by Cláudio Alves Adèle Exarchopoulos won a César for Jeanne Herry's ALL YOUR FACES. Will her new collaboration with the director, presently at Cannes, produce similar results? Th...
On three more films in competition at this year's Cannes.
Two more from Cannes, including the latest from the director of "Drive My Car."
On two big early Cannes premieres: the latest from the directors of "Ida" and "A Separation."
Genre films were some of the buzziest titles at Cannes this year. But there were some misfires, too.
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