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In rich, melancholy new films from the directors Carla Simón and Mark Jenkin, the restorative power of cinema turns out to be a shore thing.
“When we keep saying cinema is dead or dying, we lose sight of what we have actually lost and what might still be possible, even as so much about the art form continues to change.”
Matters of adolescent identity and child welfare loom compellingly large in new festival-premièred films from Marine Atlan, Jordan Firstman, and Cristian Mungiu.
In its first week, the seventy-ninth edition of the festival unveiled standout new works by James Gray, Paweł Pawlikowski, and Ryûsuke Hamaguchi.
Also: Lucy Sante’s poignant humor, American Ballet Theatre’s summer season, the incisive melodrama of Satyajit Ray, and more.
Two surprise hits, both directed by precocious YouTube-trained talents, breathe shivery cinematic life into urban legends and cautionary tales.
Argentinian filmmaker Milagros Mumenthaler provides a feminist journey of aimlessness and self-reunification in the face of trauma in this masterful arthouse psychodrama.
"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
Also: the megawatt hip-hop of Baby Keem, the buzzy period reimaginings of Scottish Ballet, the time-capsule documentary “With Hasan in Gaza,” and more.
A still from 'Underland.' Spike Lee, John Early, the literal underground and the figurative underground are all on screen. [ more › ]
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
Also: the third-wave emo of Jimmy Eat World, Jean Genet’s “The Maids” TikTokified, Rachel Syme’s shoe of the summer, and more.
A young woman is all smiles as she accepts an industry award in front of an adoring audience. She sneaks away following... The post The Currents first appeared on Film Threat.
On the latest from Ron Howard & Volker Schlondorff.
In a crowded movie theater, the man next to you may have interviewed the stars on the screen. The post The Inner Depths We Hide From Strangers appeared first on The American Conser...
Three summer movies reflect a generation’s sensibilities.
Also: the images of Yves Saint Laurent, “Girl, Interrupted” reviewed, the fusionist wonderland of Tortoise, and more.
A renowned film historian asks if moving pictures led us to something rotten.
The way art connects (and saves) these two on a daily basis is its own idiosyncratic story, and it speaks to a certain vanishing culture of passionate New York literary brainiacs t...
What’s coming this season in TV, theatre, music, movies, dance, and art.
The new melodrama, starring Jolie as a movie director, treats the Paris fashion world as a backdrop for medical and domestic crises.
On two from Cannes Competition, featuring world-famous actresses.
On three more films in competition at this year's Cannes.
by Cláudio Alves Adèle Exarchopoulos won a César for Jeanne Herry's ALL YOUR FACES. Will her new collaboration with the director, presently at Cannes, produce similar results? Th...
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