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Contemporary art’s biggest, most prestigious gathering contemplates a future without an audience.
The role of art institutions, how art must respond to a shifting socio-political landscape and its power to shape collective opinion were discussed
Many gallerists are questioning the fundamentals of their business. It’s as if the art world they know has fallen off its axis.
Art, says dealer Georges Bergès, belongs to only one world—the one we all wake up in—and it was never meant to be elitist, exclusionary or as harsh and judgmental as it has become.
Readers respond to a guest essay by a former global art director about the struggles that galleries face.
In an increasingly commodified art world, this is one fair at which creativity doesn't feel dependent on returns and maximization.
The art world is buzzing after the spring auction frenzy. But I only feel grief, like something is dying.
The white cube created an environment of concentration and contemplation that reinforced the idea of art as an autonomous sphere separated from everyday life, but what was once its...
With From Code to Canon, ArtMeta used Art Basel’s Zero 10 to frame digital art not as a niche of screens and NFTs but as a seventy-year history of machines, code, systems, science...
‘Worlds within Worlds’ explores how the symbolic and stylistic features of art from the Baroque period (around 1600–1750) have been invoked by contemporary artists, who — like thei...
Art has become one of luxury's strongest competitive tools.
“If money was no object, which one would you take home?” This question, posed to me at a recent art auction, provoked a persistent thought in my mind about the mechanics of massive...
This article is part of a series of pieces celebrating Glasstire’s 25th anniversary. To see other stories from this series, go here. To see pieces from the month of June, around th...
At the Park Avenue Armory, art history was written and recontextualized in real time.
These fairs, with their smaller scales, make space for emerging artists whose practices move between myth, technology, diaspora, infrastructure and material experimentation.
A person interacts with immersive visualisations from the inaugural exhibition Machine Dreams: Rainforest in the Museum of AI Arts, in Los Angeles, California. — AFP
The sector framed new media and computer art not as a market novelty but as part of a long history of artists engaging with new tools, systems and machines.
Recent closures and market contractions couldn't dull a weekend that stretched from Cork Street to the East End
To demystify this fast-growing corner of the market, Observer spoke with more than a dozen galleries, publishers and artists in New York and Los Angeles.
Avant Arte’s “A Changing of the Guard” report and Georgina Adam’s new book make the case that younger audiences are not consuming culture only to own, display or accumulate; they a...
The legendary fair’s energy was “brisk” this year, said one gallery director.
Late 20th-century battles ove...
Since its inception, LGW has focused on making the capital an unmissable stop for collectors and enthusiasts en route to Venice or Basel.
at david zwirner, the american artist's works become imaginative gatherings where time warps and folds back on itself, collapsing spatial and temporal boundaries. The post lisa yus...
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