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Also: Tori Amos with Bartees Strange, the French dancer Hugo Marchand, a play about the House Un-American Activities Committee, and more.
Influencers, TikTok reviewers and shrinking newsroom budgets have transformed arts criticism. At the National Critics Institute, Caitlin Hornik explored why professional critics st...
Also: Misty Copeland’s Ballet Festival, the cogent poetry of Noname, the films of Otar Iosseliani, and more.
The immersive testimonial experience showcases actor Victor Salinas’s talents but lacks the tension needed to drive home its satirical point. By JARED STRANGE
The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.
As artists and institutions grapple with what might be the most arts-hostile administration during what should be a jubilee year for the nation, some are managing to make and mount...
The New Yorker food correspondent discusses the recipes and restaurants that have defined the culinary good life—at least for those in the know.
The author of "A Sudden Flicker of Light" breaks down his provocative new book on this week's edition of IndieWire's "Screen Talk" podcast. Elsewhere in the episode, we break down...
Also: Flaco the Owl gets a documentary, Debra Winger and Arliss Howard play “The Gin Game,” Broken Social Scene and friends drop in on Brooklyn, and more.
The protagonists of two films, an Anthony Bourdain bio-pic and a drama about a neglected poet, find themselves struggling with their writerly destinies.
In a multipolar society where guilt is increasingly mistaken for depth and messaging for meaning, Arbra Partners founder Lucas Bitencourt argues that the power of the curator has d...
Also: Harry Styles takes up residence at M.S.G., “Paranormal Activity” terrifies Broadway, Dakota Fanning and Jake Johnson star in a new movie, and more.
“Talking Classics,” “The Cruelty of Nice Folks,” “Glyph,” and “A Real Animal.”
Venice: Two girls bond over their love of creating manga in a bittersweet tragedy that gains as much as it loses during the jump to live-action.
How can a play that seems dull when you’re watching it occupy your waking mind the next morning and leave a lasting impression? What accounts for this disparity? Is it, perhaps, be...
A piece about Chinese-American Marxist group blends past and present to fascinating ends.
A recent run of ambitious site-specific projects demonstrates aptly why exhibitions must be conceived in dialogue with architecture, history and the bodies moving through them.
Also: Cat Cohen’s one-woman musical comedy, the Anthony Bourdain bio-pic “Tony,” Battery Dance Festival by the water, and more.
Gender, gender expression, cultural models, and rebellion against them animate the absurdist comedy “What a World! What a World!” by Eric Marlin now at The Tank for a short run thr...
Struggles for personal and creative freedom fuel Shatara Michelle Ford’s second feature, about three women’s search for a friend gone missing.
The Venezuelan director Lorena Alvarado’s first feature, starring her own relatives in a fictional drama, connects a young woman’s homecoming and her artistic ambitions.
Geoffrey O’Brien is one of those writers who can write about anything: opera, British postwar film, crime fiction, the Third Reich, Grant Wood, Patti Smith, Duke Ellington, Seinfel...
Heat and thirst establish the class divide in ‘Filipiñana,’ Rafael Manuel’s satirical debut featuring a 17-year-old ‘tee girl’
We try to end each season of The Critic and Her Publics with a little twist on our theme—something different and, often, a little risky or uncomfortable. Our final guest, Anna Silm...
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