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"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
What’s coming this season in TV, theatre, music, movies, dance, and art.
Writers trace a decades-long shift toward metrics and cost-cutting that has steadily eroded arts coverage at The Washington Post. By TENIOLA AYOOLA
Also: the megawatt hip-hop of Baby Keem, the buzzy period reimaginings of Scottish Ballet, the time-capsule documentary “With Hasan in Gaza,” and more.
After making space for herself in art, O'Grady wants to make space for the rest of us.
Also: Jennifer Tilly in the surreal world of “The Adding Machine,” New York City Ballet’s spring season, Anne Hathaway and Michaela Coel in “Mother Mary,” and more.
Cultural commentary can make for absorbing and infinitely entertaining reading, especially when it's being written by this must-read critic.
Plus: the radiant pop of MUNA, the visceral paintings of Juanita McNeely, a “Beaches” musical, and more.
A highly idiosyncratic compendium of what you need to know right now.
Before it became an Off Broadway show and now an HBO special, Color Theories began as scribbles in his notebooks.
Also: Joan Semmel’s revolutionary nudes, Aleshea Harris’s film adaptation of “Is God Is,” Rachel Syme on thrift markets galore, and more.
Arnaud Desplechin’s vigorous tale of a pianist’s return home to a mentor and an ex-lover lines up its characters’ traits like dominoes, and ignores the world they live in.
In Everthing Is Now, J. Hoberman chronicles a radical avant-garde's attempts to jostle New York City out of its postwar complacency and moral retrenchment.
Also: Sarah Larson’s latest podcast picks, “The Rocky Horror Show” and “The Balusters” on Broadway, the French singer Oklou, and more.
Dean Robbins, who steered Isthmus’ cultural coverage for more than two decades, looks back on ‘arts-critic heaven.’
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Michael Lee Nirenberg’s oral history of classic New York filmmaking centers on crew members whose labor the movies are made of, and reveals behind-the-scenes passions and tensions...
The new David Geffen Galleries has been broadly welcomed as a striking addition to Los Angeles's cultural landscape, but the museum's egalitarian gesture toward non-Western art rem...
On two films, including the opener of this year's competition for the Palme d'Or.
Everyone’s a critic when it comes to two just-opened museums.
In its first week, the seventy-ninth edition of the festival unveiled standout new works by James Gray, Paweł Pawlikowski, and Ryûsuke Hamaguchi.
Two releases about troubled couples meet a broader cultural moment of questioning what the institution is good for—and what new arrangements might replace it.
Also: Raye’s ambitious new album, Nathan Lane’s Willy Loman, Dance Theatre of Harlem’s seminal “Firebird,” and more.
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