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The movie wants to have its cake and, let them eat it too, Marie Antoinette style.
Reviews would have much easier to write if the film was baaaad.
Most designers invest in running critiques but skip the followup. That missing step is often why feedback culture breaks down.
Krzysztof Kieślowski’s classic “Dekalog” series boasts a whopping ten-hour runtime and, yet, somehow feels sprightlier and briefer than Asghar Farhadi’s adaptation of one of its ch...
Managing Editor Brian Tallerico and our correspondents talk about the highs and lows of this year's fest.
Building design knowledge through a collaborative processContinue reading on UX Collective »
Backrooms, Kane Parsons' movie based on the internet lore, has entered a new liminal space, the threshold where critics have seen it but you have not. They love it, giving it an 87...
Contact: leskaadrienne@gmail.comWeb: adrienneleska.comSeeking: Film/TV, PlaylistStyle: Folk, Pop, Indie In her online bio, singer-songwriter, artist, and teacher Adrienne Leska des...
The reviews are damning, though there is praise for lead actor Jaafar Jackson
Contact: viko007@gmail.comWeb: xcogames.comSeeking: ReviewStyle: Experimental There’s a lot going on here and it’s not particularly easy to get a grasp of it all. XCO appears to be...
It took Hungarian director László Nemes seven years to return to filmmaking after 2018’s “Sunset,” while only a few months separate his Venice-selected “Orphan” from his newest Can...
Cannes: Isabelle Huppert plays a novelist who spies on her neighbors for inspiration in a movie about voyeurism that offers little to look at and even less to see.
Cannes: The Romanian satirist’s latest loosely adapts Octave Mirbeau’s novel into a sharp-witted mother-daughter epistolary.
The critics vary on the way it makes them feel.
The movie has been reevaluated in recent years.
Contact: whitegirleventsvip@gmail.comWeb: itseyez.com Seeking: ReviewStyle: Blues/Pop Bay Area artist Eye’z isn’t short on ambition, layering her beats with a maximalist texture th...
"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
Director Laila Marrakchi pulls from real stories of Moroccan immigrants to construct a damning indictment of a labor system that leaves them voiceless.
The post Nota Critiques Mochen’s ‘North Vol 1: The Prophecy’: “Album Was Unnecessary” appeared first on SA Hip Hop Mag. Nota Critiques Mochen’s ‘North Vol 1: The Prophecy’: “Album...
The new David Geffen Galleries has been broadly welcomed as a striking addition to Los Angeles's cultural landscape, but the museum's egalitarian gesture toward non-Western art rem...
Contact: liznash667@gmail.comWeb: liznash.orgSeeking: Film/TV, BookingStyle: Indie Folk, Progressive Folk Florida-based Liz Nash builds a whimsical world populated by gators, frogs...
There is probably an editor over at the Chronicle who thinks that making the Top 100 a ranked list is controversial and fun, sparking conversation and argument. But it's actually j...
Cannes: Charline Bourgeois-Tacquet's latest exploration of what feminine sensuality really looks like unfolds in chapters, some of which delight, while others confound.
Contact: ceh0917@gmail.comWeb: SpotifySeeking: Booking, live shows, fill billsStyle: Indie rock/blues, bilingual L.A.-based outfit The Dead and Blue feels like a love letter to the...
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