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Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Matthew Travisano has such doubts about Douglas Cuomo's opera recently seen at Opera Parallèle.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
From our occasional reviewer, Susan Hall: Samuel Barber’s... The post Don’t ever turn your back on Vanessa appeared first on Slippedisc.
After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her "second explosion of caree...
Having cancelled two nights of Riccardo Zandonai’s Romeo... The post Singer falls sick? The director jumps in appeared first on Slippedisc.
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
The New York Gilbert and Sullivan Players's vivacious music making compensates for uninspired storytelling in their staging of Utopia, Limited.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
New works, “The Post Office” and “Constance: A Confession,” and a revival of Barber’s “Vanessa” show companies attempting to capture these nebulous times.
Opera Baltimore concludes its season with a piercing semi-staged production of Pelléas et Mélisande.
There’s alarm and despondency at Staatsoper Unter den... The post Silent Woman doesn’t pull in Berlin appeared first on Slippedisc.
A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear "Kuda, kuda" twice in two days.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week's Grand Tier Grab Bag.
Samuel Barber’s 1958 opera was in disrepute for decades. A remarkable new production is the latest evidence of its rightful resurgence.
Review of VANESSA, by Samuel Barber and Gian Carlo Menotti; presented by Heartbeat Opera at the Baruch College Performing Arts Center, New York City; viewed May 16, 2026; further p...
Review of Constance: A Confession, a new multi-author opera created by the “Writers’ Room” of the Experiments in Opera company; viewed May 18, 2026, with further performances havin...
Dull conducting makes Der Freischütz miss its mark at Carnegie Hall.
With youthful abandon, Ms. Feola interprets an old chestnut.
The coloratura soprano Rainelle Krause, who died in March, was one of the most sought after performers of Queen of the Night in ‘The Magic Flute.’
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Anthony Roth Costanzo took over Opera Philadelphia when it was “three weeks away from stopping payroll.” Now, it is rebounding with a surplus.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
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