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Academy Award–winning cinematographer Claudio Miranda, ASC, ACC (Life of Pi, Top Gun: Maverick, F1), put the new Sony FX5 to the test. Claudio returned to a location he has frequen...
In 2018, Pietro Ponti shared the story behind Important Looking Pirates‘ work on Jurassic World: Fallen Kingdom. Since then, he has contributed to Aladdin, Carnival Row, and Lovecr...
Starting his career at Cinesite in 1994, Nelson Sepulveda-Fauser worked on Waterworld before continuing his journey through several visual effects studios. He joined ILM in 2004 an...
HONOR’s upcoming Robot Phone, which is claimed to feature ARRI Color Science, was shown at the company’s Imaging Technology Launch Event. The Robot Phone is an interesting concept...
Shooting in a specialized format requires specialized tools.
Director Christopher Nolan (frame left) on set of The Odyssey. The post On The Set Pic: ‘The Odyssey’ appeared first on befores & afters.
If you’re going to watch Matt Damon fight a mythical creature and voyage on an epic journey in “The Odyssey,” there’s only one way to...
Director Christopher Nolan has shed more light on what it was like shooting the first-ever feature film entirely on 70mm IMAX cameras. [Read More]
Christopher Nolan's upcoming IMAX epic, The Odyssey, arrives in theaters in just a few short weeks. It is a massive moment in cinema history, thanks in large part to the way it was...
The director's "by hand' approach to the restoration included forbidding the use of AI The post James Cameron to Guillermo del Toro on <i>Pan’s Labyrinth</i> 3D: “If Yo...
Cosimo Galluzzi is an artist and art director based in Los Angeles, working across both digital and traditional media. What stands out most is his range: Galluzzi moves easily betw...
Crew reveal the mirror system built to let actors keep eye contact around IMAX's bulky camera blimp on Nolan's The Odyssey.
In 2022, Matthew Butler took us behind the scenes of the visual effects on Morbius. Since then, he has moved from the comic book world to the retro-futuristic adventure of The Elec...
Matías Vivanco Brellenthin is a 3D digital artist and director from Santiago, Chile. He specializes in surreal sci-fi and fantasy imagery built entirely in Blender, and has worked...
Seth MacFarlane's technology division ran its real-time visualization suite on Disney's live-action remake, feeding oceans, skies, a treasure cave and a 500-foot lava monster into...
EXCLUSIVE: Production is underway on Thank You Mr. Brown, a feature documentary on the extraordinary career of Garrett Brown, inventor of the Steadicam, the SkyCam, and the DiveCam...
Christopher Nolan has fulfilled his dream of shooting a feature film entirely on IMAX film with The Odyssey
Aputure has published a video with Chief Lighting Technician Adam Chambers, in which he explains how he first got his start in Hollywood and how he eventually landed alongside cine...
Watching The Odyssey in Christopher Nolan's preferred 70mm format is not accessible for everyone -- there are only 41 theaters in the entire world that will show the large-format f...
Briaer tells IndieWire about Deep Light, an online and in-person knowledge-sharing group for cinematographers.
The three-time Oscar winner, a frequent collaborator of Oliver Stone, Martin Scorsese and Quentin Tarantino, sat down with The Hollywood Reporter in the Czech Republic shortly afte...
Read the original post on Flickering Myth here: Christopher Nolan says filming The Odyssey in IMAX was a dream come true in latest featurette In just over two weeks Christopher Nol...
Por Gonzalo Jiménez, CNN en Español “La Odisea” es el primer largometraje de ficción que se filma enteramente con cámaras IMAX y película de 70 mm, todo un hito en la historia del...
Christopher Nolan told Ryan Coogler it "wasn't crazy" to shoot 'Sinners' in IMAX, a gamble that paid off with Oscar gold. The post The Phone Call That Changed ‘Sinners’: Christophe...
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