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Studio behind visual effects on ‘Outer Banks’ and 'The Greatest' adds a third production facility alongside its operations in Milan and Tenerife, to be run by head of studio Samara...
Led by Henry Badgett, the London studio delivered 92 shots for Ridley Scott, building a deserted, overgrown Denver in 3D from more than 180 assets and completing the film's Cessna...
The Cambridge-based studio adds a third U.K. location, to be led by executive VFX producer Pete Rogers; Chris Callow joins as VFX supervisor.
For Coyote vs. Acme, DNEG brought Wile E. Coyote, Road Runner and Foghorn Leghorn to life through VFX and animation, seamlessly integrating the iconic toon characters into live-act...
Fire, smoke, embers and rooftop extensions! Discover how Cambridge-based Vine FX created the visual effects for Alice and Steve, combining large-scale FX simulations with creative...
Spanish studio Orca Studios reveals its invisible VFX work for Cronos, seamlessly transforming Barcelona’s streets and urban environments while enhancing emergency scenes and other...
Discover the visual effects work of Vancouver-based Roxel Creative on Backrooms in this new breakdown showcasing the creation and extension of the film’s environments. The video re...
The leading VFX studio looks back on 40 years of visual effects, character animation and immersive work, from Harry Potter's wizarding world to 'Paddington' and 'F1,' in a new anni...
The gnomes are taking over! Melbourne-based studio Chop Shop Post showcases its visual effects work on Gnomes, bringing the series’ mischievous digital creatures to life through ch...
See how the studio turned footage of Italy into an eerie post-pandemic version of Denver for Ridley Scott's survival thriller.
In the devastated world of The Dog Stars, Grand Junction stands out as a rare place seemingly untouched by the apocalypse. Outpost VFX helped bring this preserved environment to li...
New LinkedIn openings across studios in Toronto, Vancouver, London, Paris, Hyderabad, Mumbai and Noida, from matchmove and lighting to environment modeling leads and VFX supervisio...
Watch a breakdown of the studio's 3D environments, matte painting and explosion simulations for the spy thriller series.
Step into Outworld! Australian studio Future Associate breaks down its work on Mortal Kombat II, from the Blue Portal post-viz and Kung Lao’s razor hat to Jade’s CG staff, the Red...
A battlefield built beyond the practical set. Discover how Framestore created the vast war-torn environment for Lioness Season 3 across 180 VFX shots. See how the team combined CG,...
12 fresh studio postings from Stim, Atomic Cartoons, Activision, Electronic Arts and more, spanning Montpellier, Vancouver, Sydney, Prague and Madrid.
London-based BlueBolt delivered 92 visual effects shots for The Dog Stars, including extensive 3D environment work for post-pandemic Denver and VFX for the film’s Cessna flying seq...
CineLog is a film pre-production tool that keeps the script, breakdown, shot list, storyboards, shooting schedule, and call sheets in one project, on every device the crew carries....
Fresh LinkedIn openings from Activision, Brown Bag Films, Framestore, Blizzard, Bardel and Crafty Apes, with lead FX, lookdev, compositing, lighting and production supervisor roles...
Sebastien Raets started his career in visual effects in 2009, working for a number of studios including MPC and Rodeo FX. In 2025, he joined Outpost VFX, bringing with him experien...
The face- and body-replacement technology Rising Sun Pictures began building in 2018, and has since used on 30+ films including 'Sinners' and 'Mickey 17,' now serves FOLKS, El Ranc...
Stim CEO plans to grow its new Tenerife studio operation to more than 100 workers as the French animation service studio expands across Europe.
The Toronto studio behind the LED volume work on 'The Boys' and 'Heated Rivalry' picks up the equipment built for several 'Star Trek' series, 6 months after Sony moved to close the...
Fresh studio postings, from a crowds superviser at Netflix Animation Studios to Rabbids series roles at Stim and ILM London compositing contracts.
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