Social Media Ideas for Cine Zoom

DZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Announced – Constant Aperture, Parfocal, Under 1.8kg

DZOFILM has added two full-frame cinema zooms to its Arles line: a 25-75mm T2.6 and a 65-180mm T2.6. Both share the front diameter, gear positions, and 16-blade iris of the eleven...

DZOFilm Arles 25-75mm T2.6 & 65-180mm T2.6 FF Zoom Cine Lenses

DZOFilm has officially announced the Arles 25-75mm T2.6 & 65-180mm T2.6 FF zoom cine lenses. According to DZOFilm, the two new zooms are designed to complement the Arles primes...

DZOFilm’s Full-Frame Arles Zooms Promise Prime-Level Performance

DZOFilm has announced a pair of new cinema zoom lenses that promise to deliver the performance and character of its cinema primes. The Arles Zoom 25-75mm T2.6 and 65-180mm T2.6 cov...

DZOFILM Arles Zooms Announced – 25-75mm and 65-180mm T2.6 With Prime-Matched Color

DZOFILM used IBC 2026 to put its two new Arles zooms in front of people: a 25-75mm and a 65-180mm, both at a constant T2.6, both parfocal, and both under 1.8kg. We spoke to Susanne...

ZineControl 1.8.0– New supported cameras, cinematic zoom & focus jog

ZineControl 1.8.0 has been released, and it adds support for more cameras, as well as cinematic zoom, focus jog, and a few other features. If you are not familiar with ZineControl,...

DZOFILM Arles 25-75mm & 65-180mm T2.6 zooms

DZOFILM has added two full-frame cinema zooms to its Arles line, covering 25mm to 180mm at a constant T2.6 aperture. Preorders are open now, shipping from late September.

Wonderfilm Pictures Launches Four-Way RED KOMODO-X VFX Array for Virtual Production, Capturing a 180°+ Field of View on...

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

Insta360 Luna Ultra Firmware Update Released – 15x Zoom, Concert Stage Mode, 4K Vertical Video and a 450mm Telephoto Len...

Insta360 has pushed a big firmware update to the Luna Ultra, its dual-lens gimbal camera co-engineered with Leica. The headline is reach: in-camera zoom goes from 12x to 15x, a sna...

Sigma Packs Some Powerful Full-Frame Optics in This New Palm-Sized Zoom

It’s been a busy couple of days leading up to IBC 2026, where we’ve seen a flurry of new cameras, lenses, gear, and software announcements from a wide range of major brands. Sigma...

SIGMA 50-120mm f/2.8 DC OS Contemporary Announced – 390g APS-C Telephoto Zoom, 6.5-Stop OS, Aperture Ring

SIGMA has announced the 50-120mm f/2.8 DC OS Contemporary, a constant-aperture telephoto zoom for APS-C mirrorless cameras in Sony E, FUJIFILM X, and Canon RF mounts that weighs 39...

Cinetica NU.TRON Bold

The Cinetica NU.TRON Bold is the latest addition to the NU.TRON series. The NU.TRON Bold is a fully mechanical camera movement system built for camera setups up to 30 kg. With a 1....

Insta360 Luna Ultra Gets a Major Boost With 15x Zoom, 4K Vertical Video, and New Stage Mode

With DJI still on the sidelines in the US, companies like Insta360 are continuing to fill the void by releasing new gimbal cameras and other products that could appeal to content c...

These Ex-DJI Engineers Have Designed the World’s First Robotic Extreme Zoom Camera

A new Kickstarter has launched for the RocXZoom, a product built by ex-DJI handheld imaging engineers and called the “world’s first robotic extreme zoom camera.”Set to deliver 50x...

Filming Digger in VistaVision

Panavision and Warner Bros. have posted up a BTS video from Digger where director Alejandro G. Iñárritu and Tom Cruise talk about the work of cinematographer Emmanuel “Chivo” Lubez...

Thypoch Simera-C 100mm T1.9 Lens

Thypoch has completed its Simera-C Cine Prime Lineup with the addition of the seventh lens in the series, the 100mm T1.9. Simera-C 100mm T1.9 E-mount Simera-C 100mm T1.9 M-mount Th...

TAMRON 16-50mm f/2.8 A Announced – Constant f/2.8 APS-C Zoom, 305g, VXD Autofocus

TAMRON has announced the 16-50mm f/2.8 A (Model B091), a compact standard zoom for APS-C mirrorless cameras. It covers a 24-75mm equivalent range at a constant f/2.8, weighs 305g /...

Sigma Shrinks the f/2.8 Telephoto Zoom for APS-C Cameras

An f/2.8 telephoto zoom is usually the heaviest lens in an APS-C bag, and the Sigma 50-120mm f/2.8 DC OS Contemporary is built to change that. If you shoot Fujifilm, Sony, or Canon...

Capture a Classic Widescreen Look With This New Blazar Lens Remus II 1.5x Anamorphic

For filmmakers and cinematographers looking to capture a classic widescreen look for their films and projects, this new Remus II 50mm T2.4 Full-Frame 1.5x Anamorphic lens from Blaz...

Sigma Completes Its f/2.8 Contemporary Zoom Series With an Extremely Portable New Lens

In what the company calls the completion of its popular constant f/2.8 Contemporary zoom series, Sigma's new 50-120mm f/2.8 DC OS Contemporary Lens offers small-format camera shoot...

Sony FE 8-14mm f/3.5 G Fisheye Zoom

Sony has announced its new FE 8-14mm f/3.5 G Fisheye Zoom. This is the first-ever E-mount fisheye zoom. A fisheye zoom is a pretty niche lens, but it can be useful for some applica...

Old-school lens tool lets cine cameras shoot two POVs at once

While adding visual effects in post-production ha...

Forget 70mm and 35mm. The True Cinematic Format Is 720p iMac

For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...

CineVerse Roma Comes to Cinecittà Studios – Expo Floor, Hands-On Tech Room, AIC IMAGO Panels

CineVerse Roma, a new cinematography and production technology event, takes place at Cinecittà Studios in Rome on October 16 and 17, 2026. Organized by the Italian cinematographers...