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Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Pacific Northwest Ballet's Resident Choreographer Jessica Lang talks about her current triple bill, on stage in Seattle.
Graham Watts sees A Life in Four Seasons – there was much to admire, but the production was confusing, and the choreography struggled to get beyond bland.
Tonight is the opening of the Verdensballetten (World Ballet) in the garden of the Royal Garden Society in Copenhagen, and it is on tour until 30 August.
Graham Watts sees COLOSSUS – Stephanie Lake creates fascinating, kaleidoscopic movement from a mass of bodies made the more powerful by the rarity of the quantum.
Birmingham Royal Ballet hosted a very special Gala night last night to celebrate the 100th birthday of the legendary Sir Peter Wright. The man who bought the Sadler’s Wells ballet...
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
From our distinguished critic in residence, Alastair Macaulay... The post Alastair Macaulay: Dancing with Hilary in New York appeared first on Slippedisc.
The 14 Lausanne 2026 Prize Winners have decided on their placements next season – 1st prize winner William Gyves from the United States joins The Royal Ballet.lausanne
Thirty-one dancers move with the cohesion of a hive mind, transforming dense, detail-packed tableaux into the work's choreographic signature. The post Review: Memory Keepers, Sadle...
Excellent choreography. And it includes some Gymnastics. Click PLAY or watch it on YouTube.
The celebration for Sir Peter Wright’s 100th birthday continued at the Birmingham Hippodrome last night with 20th-Century Masterpieces, a trio of wonderful short ballets, Frederick...
Graham Watts sees 360 ALLSTARS – experts in either spinning themselves or something else – but yearned for 32 fouettés to be added to the mix.
Matthew Paluch sees Acosta Danza Yunior in four contemporary works but, all in all, it wasn't a very inspiring night.
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
The programme So Are We marks the first time a British company has performed the work of choreographers Sol León and Paul Lightfoot. Tristram Kenton took a first look at Covent Gar...
From our distinguished critic in residence, Alastair Macaulay… ... The post Alastair Macaulay: Lightfooting it into midsummer appeared first on Slippedisc.
Kathrina Farrugia-Kriel talks with choreographer Helen Pickett on the eve of the opening of her ballet Emma Bovary – “Be the rebel. Be daring. Take Risk.”
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
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