Absurd ‘Vanya and Sonia and Masha and Spike’ approaches genius at Everyman
The final show directed by retiring artistic director Vincent M. Lancisi does Christopher Durang’s hilarious comedy justice. By VICTORIA SOSA
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The final show directed by retiring artistic director Vincent M. Lancisi does Christopher Durang’s hilarious comedy justice. By VICTORIA SOSA
Christopher Durang’s Tony-winning Vanya and Sonia and Masha and Spike gets a lively, laugh-filled staging in Baltimore. The post Everyman’s “Vanya and Sonia…” Delivers Big Laughs a...
'Noises Off' is a true farce complete with multiple love triangles, exaggerated physical altercations and a frequent case of flying sardines.
At Greenbelt Arts Center, the 1890s biblically inspired tragedy becomes a 1990s comedy skewering racial, sexual, and power dynamics. By HANNAH ESTIFANOS
In Ken Ludwig’s farce, the Music and Drama Club offers a night of right songs, wrong plays, mistaken identities, and wardrobe malfunctions. By LIANA OLEAR
Lumina Ensemble young actors perform Paul Rudnick’s refreshing comedy-drama. By DEBBIE MINTER JACKSON
In this cheerful, comic, and touching musical, the excitement comes in the voices. By JENNIFER GEORGIA
David Lindsay-Abaire mines a rich vein — homeowners’-association disputes — to find dark comedy.
Just weeks before the United States' 250th birthday, Suzan-Lori Parks' bold, dark, and witty look at how U.S. history is told makes its timely regional premiere.
The squabbling over whether to put a stop sign on the neighborhood’s prettiest street might not sound substantial enough to build a play around. But David Lindsay-Abaire’s fresh a...
Commissioned by MTC and now making its Broadway debut in a limited engagement at the Samuel J. Friedman Theatre, The Balusters, written by Pulitzer Prize- and Tony-winning playwrig...
Music, dance, well-timed jokes, and a bit of time travel pay tribute to social pariahs who search for a sense of belonging and safe place. By MARY V. HOLIMAN
AFTER THE SHOOTING Despite the title, Anna Yates’ setting in an episcopalian church room full of calm skylight, and one effective moment near the end, Fran Kranz’ tense 105-minu...
The casual, everyday cruelty in which the central family operates can be triggering. By GREGORY FORD
Think musical theater meets stand-up meets improv meets variety hour special. By ZOE WINSKY
Staged in Dupont Underground through April 12, this is a touching play whose context is U.S. immigration policies but whose heart is pure dramatist’s art. By JOHN STOLTENBERG
Samuel D. Hunter is rapidly gaining a reputation as one of our leading contemporary American playwrights. You may not know his name yet, but he … Continue reading →
At the Cherry Lane Theatre, the writer and the director of “You Got Older,” starring Alia Shawkat and Peter Friedman, dish on mortality, romantic angst, and the rapper Pitbull.
Inspired by her real-life experience in a diverse father-daughter YMCA bonding program that first began in the 1950s, the semi-autobiographical satire Indian Princesses by playwrig...
Giving the young Saint Clare of Assisi a contemporary voice reframes her as a relatable woman whose concerns mirror those of the present day. By JULIA TUCKER
When the two lead actresses in Shawn’s play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg and Shawn himself.
It’s hysterical and powerful. Gerrad Alex Taylor has crafted a world that feels cartoony, surreal, and human all at once. By DANIELLA IGNACIO
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